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Download the plug-in for Firefox
The blog at picscount.com:
http://blog.picscout.com/
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Addendums:
10-5-10– from Google announces TV deals with HBO, NBA, others
“One of our goals with Google TV is to finally open up the living room and enable new innovation from content creators, programmers, developers and advertisers,” Ambarish Kenghe, developer product manager for Google TV, said in the post.
Digital textbooks in the classroom — from Startl.org
What are the advantages to going digital with textbooks? Here are a few:
- Ability to deliver updates, corrections quickly
- Social interaction within the textbook – study groups, shared links, social networking
- Inclusion of multimedia – video, graphics that students can rotate
Kno breaks new ground with the world’s first single screen tablet textbook
Kno continues the pace of innovation in integrated learning with a smaller version of the Kno
TechCrunch Disrupt Conference — San Francisco, CA – September 27, 2010 –Kno, Inc., the groundbreaking tablet textbook and dynamic learning platform, today announced its further commitment to the education market with a single screen version of its tablet textbook. The single screen version extends the breakthroughs and functionality of the dual screen version announced in June.
“Kno fundamentally improves the way students learn,” said Osman Rashid, the CEO and Co-Founder of Kno, Inc. “We are driven to innovate in a category that has been static for too long. Even though the Kno pays for itself in 13 months, the smaller up front investment of the single screen version will allow more students to use our learning platform.”
Kno, short for knowledge, is a transformative learning platform that blends a touch-screen tablet, digital textbooks, course materials, note-taking, web access, educational applications, digital media, sharing and more into a powerful and engaging educational experience that is not available on any other tablet or eReader today.
“From day one, we designed the Kno with flexibility in mind,” said Babur Habib, CTO and Co-Founder of Kno, Inc. “We developed the product to have multiple configurations and meet different student needs. The single screen maintains the elegance of our fluid, intuitive interface while capturing the richness and ‘page fidelity’ of the original textbook.”
The company plans to ship both the single and two-screen tablet textbooks to consumers by the end of 2010. Pricing and pre-order announcements will be made in the coming months.
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Nine important trends in the evolution of digital textbooks and e-learning content — from xplana.com by Rob Reynolds
Per Rob Reynolds:
I gave a presentation last week in which I talked about nine trends that we’re currently tracing with regards to digital content in Higher Education. These are the critical trends that we believe will determine both growth and innovation in this market. Here are the nine trends along with a brief comment on each.
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The vanishing line between books and Internet — from Forbes.com by Hugh McGuire
The inevitability of truly connected books and why publishers need APIs.
But everything exists within the EPUB spec already to make the next obvious but frightening step: Let books live properly within the Internet, along with websites, databases, blogs, Twitter, map systems, and applications.
From DSC:
I’m about to take a class on the future of teaching and learning…and I have to tell you that I was very disappointed to be presented with a syllabus “featuring” a textbook from 2004…geez.
Why is the device compelling? [Marc] Andreessen and [Osman] Rashid talk about how Kno is offering a total product – software, hardware and services – that will be compelling to the college user. They can purchase textbooks and view them just as they look in printed format. Users will be able to take notes, draw on the pages, etc., just like the print versions. And they’ll be able to access those books on a variety of devices – even eventually their desktop and laptops – because Kno’s software is built on webkit and designed to run on a variety of hardware setups. And there’s a normal web browser too for the Internet in general.
As for textbook pricing, Rashid says the model will work. Imagine an iTunes for college textbooks, he says, and users who purchase the tablet and all their books will be paying about the same amount v. just buying print books over the first 13 months. That means individual books on the Kno will be priced lower than the average of $100 for the print versions.
California State University to license content from major college publishers — from TeleRead: Bring the E-Books Home by Paul Biba
The Digital Marketplace, an initiative of the California State University Office of the Chancellor, announced plans today to launch a pilot to license digital course content from Bedford/Freeman/Worth, Cengage Learning, McGraw-Hill Education, Pearson, and John Wiley & Sons, Inc.
Leveraging digital media across the higher education campus
Phil Ice, Ed.D., Dir. of Course Design, R&D, American Public University System
Sebastian Diaz, Ph.D., J.D., Assoc.Professor, Technology, Learning and Culture, West Virginia University
Ellen Wagner, Ph.D., Executive Director, WCET
Note: This webinar from earlier today was sponsored by Adobe. This is the white paper from that webinar, which contains the below excerpts:
The Multimedia Landscape in Higher Education
In higher education, the effective integration of rich multimedia assets and platforms (and the requisite design and development skills demanded for their effective use) has become an expectation from schools of design, art, and communications. Engineering and journalism programs have recognized that as technology transforms industries, students with design and development proficiencies are in high demand. The obvious value of improving analytical and digital communications for teachers is now being addressed through initiatives such as the i3 Fund. Relatively less attention has typically been given to the integration and use of multimedia in other disciplines.
Emerging New Media Literacy in Academia
This paper has thus far explored the implications that collaborative, creative software solutions have on how we evaluate academic work. Just as importantly, one needs to consider the changing nature of how we communicate that work within the Academy. As the prices for video cameras continue to fall, the expectations for manifesting our work in new media formats will continue to rise. Given the availability of software such as Adobe Premiere Pro, we are finding that it is increasingly quite reasonable to expect that students possess the tools and skills necessary to produce representations of their work in dynamic visual formats, as is evidenced by www.YouTube.com. Although for a while it was believed that YouTube was an online version of America’s Favorite Home Videos, it is dangerous to assume that this phenomenon is merely a fad among the younger generation. Today’s YouTube is a marketing machine used by commercial and nonprofit entities alike, an online school and a news portal as well. YouTube serves as an accurate indicator of how newer generations will express themselves personally, artistically, and academically through what is commonly referred to as new media literacy.
Conclusion
Members of the Academy should anticipate that in the future conventionally printed papers will be replaced by much more dynamic multimedia representations of academic work. This applies not only to student assignments, examinations, and theses; it also applies to faculty work. Even as we begin to struggle with the fundamental shift from paper-based publication of work to electronic formats on the Internet, we also need to anticipate that in the near future, this research will take on new media formats. To help our faculty prepare for these changes, academic institutions must develop formal and informal faculty development initiatives to address the changes. In anticipation of these changes, it is imperative that academic departments and colleges begin to embrace technologies like Adobe Creative Suite such that we continue to develop our own intellectual capital as well as that of our respective institutions and the Academy.
From DSC:
I appreciated this well-done webinar. I also appreciate the work Adobe has done in the past and is currently doing.
I must say though, I struggle with how much we can load onto 1 person’s plate — i.e. the faculty member. We need a more team-oriented approach I think…as the bar continues to get higher and higher…and 1 person just can’t do it all anymore.
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Digital Storytelling with the iPad — by Apple Distinguished Educators Cindy Huson, Karen Bosch, Sherri Clemens, Jerome Burg, Jim Harmon, Paul Devoto
Digital Storytelling can transform your students’ writing into a visual masterpiece that is filled with voice and emotion, while enhancing critical thinking skills. The iPad takes digital storytelling to a new level by making the process easier, and even more engaging for students of all grade levels as well as for their teachers. This site will help guide you in what you need for success in the iPad Digital Storytelling classroom.
Resources
Storytelling Articles:
Web 2.0 Resources
Miscellaneous Resources
General Digital Storytelling Sites
Digital Storytelling and iTunes U
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With its color screen and ability to run multiple applications, Apple’s iPad holds great promise for creating multimedia work that can redefine the nature of a book.
One new attempt to do so is “Danny the Dragon Meets Jimmy,” an iPad version of the well-received children’s book that brings to it what the publisher, iStoryTime, says is a first: an iPad book complete with sign language for deaf children.
The $3 app offers three versions of this charmingly illustrated work: one that children can read themselves, one that would be read to them and one signed by a woman who stands off to the side of the screen, with the reduced-size book running next to her.
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