Inscribe Digital launches ebook wholesale delivery platform for publishers — from teleread.com

From the press release:

Isolation Network, Inc., parent company to INgrooves (a leading provider of digital distribution, marketing and promotion services to the global music & video community via its ONE Digital platform), officially announced the name of their new digital publishing division, INscribe Digital. INscribe Digital has inked deals with all major domestic eBook retailers and is now set up to deliver digital eBook content worldwide for a number of independent publishing companies and authors via its ONE Digital platform. The announcement was made today by Founder & CEO, Robb McDaniels.

INscribe Digital provides global digital distribution, content conversion and optimization services to large and small publishers. INscribe Digital’s retail network is quickly expanding; they are an approved delivery partner of Apple and have deals with Amazon, Sony, Barnes & Noble and Kobo. Content deals have also been consummated with several independent publishers and authors such as Gaby Press, Postgraduate Medicine, 80/20 Publishing and RLR Associates. Currently, the INscribe Digital catalog covers multiple genres including education, children’s, thriller, fiction, nonfiction, memoir and young adult.

E-Publishers to Watch 2010

The future of publishing(?) — from InsideHigherEd.com by G. Rendell

One of the little things I like about the National Research Council’s recent report on the future of agriculture is the way it’s published and priced. You not only get what you pay for, you pay for what you get.

Want a bound copy plus a PDF? That’s $76.50.

Just the bound copy is $58.50 if you order it on the web.

Just the PDF? $50.00.

A PDF of a single chapter? Download it for $4.10.

Driving home the point on accessibility — InsideHigherEd.com

The U.S. Departments of Education and Justice on Tuesday released an open letter to colleges expressing concern that some institutions might be “using electronic book readers that are not accessible to students who are blind or have low vision” and warning them that the government will crack down on any institutions that are “requiring” disabled students to use emerging technology that does not comply with federal accessibility laws.

CafeScribe.com

MyScribe

What is an eBook?
An eBook is a print book that has been converted to an electronic format and made available for reading on your computer.

What is the difference between an eBook and a CaféScribe Digital Textbook?
The CaféScribe digital textbook is an eBook with multiple features, supporting multiple functionality that other eBooks do not have. For example, annotating and note sharing are two of the features found in CaféScribe digital textbooks but are not part of other eBooks.

— from http://support.cafescribe.com/Content/etextbook/etextbook_faq.htm

See also:
http://campustechnology.com/articles/2010/05/17/cafescribe-expands-social-networking-features.aspx

Follett has released an enhanced search and social networking update to its CaféScribe digital textbook platform.

CaféScribe is a Web-based system for finding and purchasing textbooks in digital format. After creating an account, the user can browse titles by various criteria, purchase selections through the online store or participating campus bookstore, and organize texts with provided thumbnail and listing tools. The latest version includes expanded search options for people or groups, plus support for sharing of notes, ideas, and documents between students, instructors, and the CaféScribe community.

http://picasaweb.google.com/marie.lebert/Booknology#

Innovation: Smarter books aim to win back the kids — NewScientist.com

Print ain't what it used to be (Image: Carlton)

“Children’s love affair with traditional books could continue in the
digital age by augmenting the written word with 3D interactive graphics.”

Coincident TV (CTV) is transforming the way interactive video content is created, consumed and monetized. Coincident TV enables immersive “hypervideo” experiences – the real-time integration of online video with social media, weblinks and transactions. The Coincident TV software suite allows content creators and distributors to easily design, manage and measure interactive video engagements across all digital platforms, including both HTML5 and Flash.

Example:

Hyper Aquarium Demo [Learn about interactive video with an explanation of our aquarium demo]

Interactive acquarium from Coincident TV

From DSC:
Again, think of the possibilities here for education…especially on a wall-sized, iPad-like, interactive, multi-touch chalkboard!

Sideways.com -- taking digital storytelling and publishing to the next level

About Sideways

Sideways, the publisher of experimental app magazines Sideways and TapTilt, transforms print into immersive experiences on digital tablets and mobile devices. Leveraging unique multi-media capabilities, Sideways goes beyond ebook functionality, changing storytelling and the way we consume books and magazines. Developing original content with forward-thinking publishers and authors, the company’s publishing platform augments text with rich media, adds multiple levels of reference, and enhances reading with mobile features and social media. Sideways takes advantage of interactivity to enrich both the solitary and social experience of reading – from fiction and non-fiction to “how to” and guides. Additionally, Sideways is the creator of Author App, a mobile application for authors designed to build their brands, engage their fans and expand their presence. Based in Cleveland, Sideways was founded in 2010 by Charles Stack and Eliza Wing. Stack started the first online bookstore in 1992 – Books.com – which was acquired by Barnes and Noble. Wing was formerly the CEO of Cleveland.com and editor at Rolling Stone, Books.com, and New York Woman.  For more information, visit www.sideways.com.

Also see:

TapTilt.com

From DSC:
Do you hear the roar of the engines? (i.e. the pace of technological innovation is exploding and the racetrack is full of lightning-fast cars.)

Tagged with:  

If educational publishers would publish content to be iPad ready, can you imagine the power of this type of an interface/”chalkboard of the future” in a professor’s hands? He/she could:

  • Intuitively and efficiently locate an item
  • Drag it over to the main viewing are
  • Enlarge a table of data and then annotate it
  • Quickly shrink a graphic and move it to the side of the screen after discussing it
  • Annotate a photo or a website
  • Send the captured image of what he/she had been displaying and working on to devices that can “hear” that signal
  • Etc. etc. etc.

..

so-touch.com


From DSC:
Also relevant here are the following images I created a while back:

One part of the board could provide downloadable, discipline-specific templates

Potential resources for the new "chalkboard" - compliments of the publishers

Reflections on The E-Book Sector — from InsideHigherEd.com

First of all, some excerpts (with emphasis from DSC):

E-textbooks might be the most-talked about and least-used learning tools in traditional higher education. Campus libraries and e-reader manufacturers are betting on electronic learning materials to overtake traditional textbooks in the foreseeable future, but very few students at traditional institutions are currently using e-textbooks, according to recent surveys.

Not so in the world of for-profit online education.

For-profit institutions in general are moving toward wider e-textbook use than other sectors of higher education, Stielow says. “I think a great many [for-profits] are certainly trying to move toward this model,” agrees Bickford. And the ones that have appear to be succeeding.

Why is that?

John Bourne, executive director of the Sloan Consortium, which studies online learning, posits that it might be a function of the more centralized administrative structures at for-profit institutions. “For-profits do things like provide lesson plans for instructors, provide you with what you’re supposed to do; they hire all these adjuncts to deliver all these things that have been sculpted by instructional designers,” says Bourne. Being able to dictate to the faculty what text format they should assign to their students probably makes it easier to implement e-textbook adoption across the institution, he says.

It is more difficult to engineer change at such scale at nonprofits, because of their more distributed governance models. At those colleges, faculty control of curricular texts — including mode of delivery — is “sacred,” Bourne says.

Manny Rivera, a spokesman for Phoenix, says that the online giant’s centralized administration does indeed allow it to make sweeping changes without many hang-ups. “The university is set up to be more nimble to confront market forces,” Rivera says. “So we’re able to innovate more quickly.”

From DSC:
To be more nimble…to confront market forces…to be able to innovate more quickly…to use materials created by teams of specialists…hmmm….sounds like a solid position to be in as the bubble continues to expand (and may even be beginning to slowly burst based upon where students are going — more community colleges, more state/public schools, lower-cost alternatives, etc.)






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