From DSC:
The idea of rich, interactive, multimedia-based textbooks comes to mind when I see this type of posting….talk about the power of digital storytelling! 🙂
Also…for a bit of humor here:
Organize e-books in iTunes — from Macworld.com by Kirk McElhearn
With the arrival of iOS 4, the iPad, and iTunes 9.2, iTunes can now manage e-books for syncing to Apple’s iBooks app. iTunes accepts two types of book files: those in ePub format, and PDF files. Organizing e-books in iTunes can be a bit baffling, however. Here’s a look at how you can keep your e-book library spic and span.
Zinio, NACS Media Solutions Partner to Create First Collegiate Digital Newsstand — from prnewswire.com
Newsstand will offer 3,000-plus digital magazines and books of interest to college students through web portal. Options available for college stores across U.S. who wish to share in revenue.
NEW YORK and OBERLIN, Ohio, July 12 /PRNewswire/ — Zinio, the world’s leader in digital publishing, technology, distribution, and services, and NACS Media Solutions (NMS), a subsidiary of the National Association of College Stores (NACS), today announced a partnership to develop the first all-digital online newsstand directed specifically at the college market. Featuring 3,000-plus magazines and books suitable for reading through Zinio’s UNITY™ platform, which enables on-line or offline access on any PC, iPhone, iPad, and upcoming supported devices, the newsstand will break new ground by taking the world of reading to the platforms most popular with the Digital Generation.
The new collegiate digital newsstand, which will carry “Powered by Zinio” branding, will include a revenue-sharing arrangement for NACS members who wish to promote the site to their local college students. At a future point, Zinio and NMS anticipate developing private-label versions for NACS members who decide to deploy and promote their own digital newsstands.
Some advice for authors on self-publishing and ebooks — from teleread.com
and
New vanity publishing? — from publishingguru.blogspot.com
It’s a pretty good system for everyone involved in the making of a best-seller. Efficiency, ease of promotion, a pre-determined outcome, and everyone gets paid, even though about half of those hardcovers will eventually be composted, too. If you can publish a best-seller, you’d be crazy to publish anything else.
If you are at the bottom end of the mid-list scale, you’d be crazy to give your book license away at current industry standards. Let’s examine the three publisher advantages in light of the modern digital/print-on-demand landscape.
Inscribe Digital launches ebook wholesale delivery platform for publishers — from teleread.com
From the press release:
Isolation Network, Inc., parent company to INgrooves (a leading provider of digital distribution, marketing and promotion services to the global music & video community via its ONE Digital platform), officially announced the name of their new digital publishing division, INscribe Digital. INscribe Digital has inked deals with all major domestic eBook retailers and is now set up to deliver digital eBook content worldwide for a number of independent publishing companies and authors via its ONE Digital platform. The announcement was made today by Founder & CEO, Robb McDaniels.
INscribe Digital provides global digital distribution, content conversion and optimization services to large and small publishers. INscribe Digital’s retail network is quickly expanding; they are an approved delivery partner of Apple and have deals with Amazon, Sony, Barnes & Noble and Kobo. Content deals have also been consummated with several independent publishers and authors such as Gaby Press, Postgraduate Medicine, 80/20 Publishing and RLR Associates. Currently, the INscribe Digital catalog covers multiple genres including education, children’s, thriller, fiction, nonfiction, memoir and young adult.
The future of publishing(?) — from InsideHigherEd.com by G. Rendell
One of the little things I like about the National Research Council’s recent report on the future of agriculture is the way it’s published and priced. You not only get what you pay for, you pay for what you get.
Want a bound copy plus a PDF? That’s $76.50.
Just the bound copy is $58.50 if you order it on the web.
Just the PDF? $50.00.
A PDF of a single chapter? Download it for $4.10.
The future of textbook publishing in the Digital Age: New publisher workflows — from the xplanation by Rob Reynolds
About Sideways
Sideways, the publisher of experimental app magazines Sideways and TapTilt, transforms print into immersive experiences on digital tablets and mobile devices. Leveraging unique multi-media capabilities, Sideways goes beyond ebook functionality, changing storytelling and the way we consume books and magazines. Developing original content with forward-thinking publishers and authors, the company’s publishing platform augments text with rich media, adds multiple levels of reference, and enhances reading with mobile features and social media. Sideways takes advantage of interactivity to enrich both the solitary and social experience of reading – from fiction and non-fiction to “how to” and guides. Additionally, Sideways is the creator of Author App, a mobile application for authors designed to build their brands, engage their fans and expand their presence. Based in Cleveland, Sideways was founded in 2010 by Charles Stack and Eliza Wing. Stack started the first online bookstore in 1992 – Books.com – which was acquired by Barnes and Noble. Wing was formerly the CEO of Cleveland.com and editor at Rolling Stone, Books.com, and New York Woman. For more information, visit www.sideways.com.
Also see:
From DSC:
Do you hear the roar of the engines? (i.e. the pace of technological innovation is exploding and the racetrack is full of lightning-fast cars.)
If educational publishers would publish content to be iPad ready, can you imagine the power of this type of an interface/”chalkboard of the future” in a professor’s hands? He/she could: