Some advice for authors on self-publishing and ebooks — from teleread.com

and

New vanity publishing? — from publishingguru.blogspot.com

It’s a pretty good system for everyone involved in the making of a best-seller. Efficiency, ease of promotion, a pre-determined outcome, and everyone gets paid, even though about half of those hardcovers will eventually be composted, too. If you can publish a best-seller, you’d be crazy to publish anything else.

If you are at the bottom end of the mid-list scale, you’d be crazy to give your book license away at current industry standards. Let’s examine the three publisher advantages in light of the modern digital/print-on-demand landscape.

Inscribe Digital launches ebook wholesale delivery platform for publishers — from teleread.com

From the press release:

Isolation Network, Inc., parent company to INgrooves (a leading provider of digital distribution, marketing and promotion services to the global music & video community via its ONE Digital platform), officially announced the name of their new digital publishing division, INscribe Digital. INscribe Digital has inked deals with all major domestic eBook retailers and is now set up to deliver digital eBook content worldwide for a number of independent publishing companies and authors via its ONE Digital platform. The announcement was made today by Founder & CEO, Robb McDaniels.

INscribe Digital provides global digital distribution, content conversion and optimization services to large and small publishers. INscribe Digital’s retail network is quickly expanding; they are an approved delivery partner of Apple and have deals with Amazon, Sony, Barnes & Noble and Kobo. Content deals have also been consummated with several independent publishers and authors such as Gaby Press, Postgraduate Medicine, 80/20 Publishing and RLR Associates. Currently, the INscribe Digital catalog covers multiple genres including education, children’s, thriller, fiction, nonfiction, memoir and young adult.

E-Publishers to Watch 2010

The future of publishing(?) — from InsideHigherEd.com by G. Rendell

One of the little things I like about the National Research Council’s recent report on the future of agriculture is the way it’s published and priced. You not only get what you pay for, you pay for what you get.

Want a bound copy plus a PDF? That’s $76.50.

Just the bound copy is $58.50 if you order it on the web.

Just the PDF? $50.00.

A PDF of a single chapter? Download it for $4.10.

CafeScribe.com

MyScribe

What is an eBook?
An eBook is a print book that has been converted to an electronic format and made available for reading on your computer.

What is the difference between an eBook and a CaféScribe Digital Textbook?
The CaféScribe digital textbook is an eBook with multiple features, supporting multiple functionality that other eBooks do not have. For example, annotating and note sharing are two of the features found in CaféScribe digital textbooks but are not part of other eBooks.

— from http://support.cafescribe.com/Content/etextbook/etextbook_faq.htm

See also:
http://campustechnology.com/articles/2010/05/17/cafescribe-expands-social-networking-features.aspx

Follett has released an enhanced search and social networking update to its CaféScribe digital textbook platform.

CaféScribe is a Web-based system for finding and purchasing textbooks in digital format. After creating an account, the user can browse titles by various criteria, purchase selections through the online store or participating campus bookstore, and organize texts with provided thumbnail and listing tools. The latest version includes expanded search options for people or groups, plus support for sharing of notes, ideas, and documents between students, instructors, and the CaféScribe community.

http://picasaweb.google.com/marie.lebert/Booknology#

Double tablet from Kno -- June 2010

From Kno’s blog:

So how did this all get started? The eTextbook has been available for almost a decade now, yet has not taken off. This was our starting point – we asked the question – why haven’t eTextbooks taken off?

Students are immersed in the digital world, with their computers, access to the web, and social networking on their phones. But, most of this is an “add-on” to their 18 (or more) pounds of a physical textbooks. Textbooks are heavy, costly, and awkward to carry around, but still they are the central reference source for majority of students. Why is that? Why hasn’t a digital device taken off, providing students with a lighter, cheaper, and more functional alternative?

Answering this question was simple: talk to the students, and let them tell us what’s going on. So, that’s exactly what we did, and the answer was surprisingly clear. Students have a “relationship” with their textbooks and build their studying habits around them. Things like seeing both pages in a two page spread, the way they hold their books, using a highlighter, writing on sticky notes they’ve placed on a page, even putting their finger in the book to look something up while holding their place. Lighter and cheaper is a good start, but not enough. It’s this relationship with the textbooks that needs to be carried over to the digital world.

Also see:
Kno dual-screen tablet appears at D8, we go hands-on — from Engadget

http://musicnomad.com/images/template/NEW_nomad_home2.jpg

and

eJamming
eJamming is a collaborative network of thousands of musicians creating and performing together online in real time.

The transformation of textbook publishing in the Digital Age — new business models — from Xplana by Rob Reynolds

Introduction
In April, we published a report on Digital Textbook Sales in U.S. Higher Education, in which we outlined sales for e-textbooks over the next five years based on current trends and variables. This series — The Transformation of Textbook Publishing in the Digital Age — provides an in-depth look at textbook publishing in Higher Education, and offers a roadmap for evolution and profitability in the industry. In this first installment, we will discuss New Business Models. In subsequent installments, we will explore New Product Models, New Authoring Models, and New Production Workflows.

My goal with this series is neither to extol nor criticize the textbook industry, but rather to provide an understanding of the business as it exists today, and to offer a digital success strategy for the companies that comprise that industry. By doing so, I hope to lay the groundwork for our subsequent summer series on The Transformation of Learning Systems, and The Transformation of Learning Content.


Strategies for New Business Models for a Digital Age

The majority of this post has been about existing practices and product/business models in the textbook publishing world. These practices and models are based on a print-centric paradigm that will be outdated within three years, and are also the result of old assumptions about Higher Education and learning in general.

While the path to digital transformation will be unique for the different publishing companies, there are some constants that will be part of any successful plan for Higher Education learning content in the coming years. The surface chatter will continue to be about e-textbooks — reaching 18%-20% of the new textbook market by 2014 — but the strategies that drive success will all take the following elements into consideration.

  • The Disaggregation of Content — Future profitability will be incumbent on publishers’ ability to conceive of and produce meaningful content at a more granular level and disaggregated from the notions of textbooks. It is not that they should produce less or different content, necessarily, but rather that content must become agile, malleable, and designed to be mashed up easily by customers — institutions, instructors, and students. This means thinking at the key concept or learning objective level. It also means arriving at new revenue streams that are also disassociated from textbooks and ISBNs.
  • A Focus on Lifelong Learning — New estimates have social media sites accounting for two-thirds of U.S. Web traffic withing five years. This growth and dominance is related to a sense of personal connectedness and long-term residence that users associate with such sites. Textbook publishers must find ways to move past outdated notions of students and instructors bound within narrow windows of consumer opportunity, and learn to embrace lifelong learning and see every adult citizen as a potential customer.
  • Embracing Self-Publishing — In the new world order of business in publishing, self-publishing will be a primary avenue for partnership and revenue. And unlike the stigma associated with self-publishing in trade fiction, the educational content market already recognizes self-published content as valuable and embraces it. In the future, textbook publishers should plan on abandoning much of their current content authoring model in favor of aggressive self-publishing services. This will lead to broader partnerships throughout the educational community as well as to more sustainable models for revenue.
  • Partner with Open Content — Make no mistake about it. Open content and open educational resources (OERs) will become leading alternatives to proprietary textbooks for at least 25% of the Higher Education market within five years.  There are many services than can be offered around OERs and there is great value in mapping OERs to existing publisher content. Textbook publishers must take advantage of this opportunity to make their content and services more relevant, or they will see the value of their businesses diminish.

In next week’s installment, I will discuss specific new product models that textbook publishers will need to embrace in order to remain competitive in the coming years.

Unthethered 2010

Apple invites authors to self-publish on the iPad bookstore

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