Poetry writing about Flint murals allows for ‘creative freedom’ in this high school classroom — from mlive.com  by Dylan Goetz (behind paywall)

Excerpt:

It’s a new tradition in the curriculum of the senior-level English class, where teacher Carrie Mattern asks her students to seek out a mural in Flint and write poetry about it.

This year, there was a focus on writing around cultural grief and the process of healing.

It’s become a favorite assignment for the students who’ve worked on the project, who say it allows them to use “creative freedom” in a way that other classes don’t.
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Also see:

 

Cleveland Cavaliers Turn Their Arena Into An AR Arcade — from vrscout.com by Kyle Melnick

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How Audi Used AR Tech To Build Its New Concept Car  — from vrscout.com by Kyle Melnick

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Celebrate Earth Day With An Out-Of-This-World VR Film — from vrscout.com by Kyle Melnick

 

35 Ways Real People Are Using A.I. Right Now — from nytimes.com by Francesca Paris and Larry Buchanan

From DSC:
It was interesting to see how people are using AI these days. The article mentioned things from planning Gluten Free (GF) meals to planning gardens, workouts, and more. Faculty members, staff, students, researchers and educators in general may find Elicit, Scholarcy and Scite to be useful tools. I put in a question at Elicit and it looks interesting. I like their interface, which allows me to quickly resort things.
.

Snapshot of a query result from a tool called Elicit


 

There Is No A.I. — from newyorker.com by Jaron Lanier
There are ways of controlling the new technology—but first we have to stop mythologizing it.

Excerpts:

If the new tech isn’t true artificial intelligence, then what is it? In my view, the most accurate way to understand what we are building today is as an innovative form of social collaboration.

The new programs mash up work done by human minds. What’s innovative is that the mashup process has become guided and constrained, so that the results are usable and often striking. This is a significant achievement and worth celebrating—but it can be thought of as illuminating previously hidden concordances between human creations, rather than as the invention of a new mind.

 


 

Resource per Steve Nouri on LinkedIn


 

From DSC:
Before we get to Scott Belsky’s article, here’s an interesting/related item from Tobi Lutke:


Our World Shaken, Not Stirred: Synthetic entertainment, hybrid social experiences, syncing ourselves with apps, and more. — from implications.com by Scott Belsky
Things will get weird. And exciting.

Excerpts:

Recent advances in technology will stir shake the pot of culture and our day-to-day experiences. Examples? A new era of synthetic entertainment will emerge, online social dynamics will become “hybrid experiences” where AI personas are equal players, and we will sync ourselves with applications as opposed to using applications.

A new era of synthetic entertainment will emerge as the world’s video archives – as well as actors’ bodies and voices – will be used to train models. Expect sequels made without actor participation, a new era of ai-outfitted creative economy participants, a deluge of imaginative media that would have been cost prohibitive, and copyright wars and legislation.

Unauthorized sequels, spin-offs, some amazing stuff, and a legal dumpster fire: Now lets shift beyond Hollywood to the fast-growing long tail of prosumer-made entertainment. This is where entirely new genres of entertainment will emerge including the unauthorized sequels and spinoffs that I expect we will start seeing.


Also relevant/see:

Digital storytelling with generative AI: notes on the appearance of #AICinema — from bryanalexander.org by Bryan Alexander

Excerpt:

This is how I viewed a fascinating article about the so-called #AICinema movement.  Benj Edwards describes this nascent current and interviews one of its practitioners, Julie Wieland.  It’s a great example of people creating small stories using tech – in this case, generative AI, specifically the image creator Midjourney.

Bryan links to:

Artists astound with AI-generated film stills from a parallel universe — from arstechnica.com by Benj Edwards
A Q&A with “synthographer” Julie Wieland on the #aicinema movement.

An AI-generated image from an #aicinema still series called Vinyl Vengeance by Julie Wieland, created using Midjourney.


From DSC:
How will text-to-video impact the Learning and Development world? Teaching and learning? Those people communicating within communities of practice? Those creating presentations and/or offering webinars?

Hmmm…should be interesting!


 

A museum without screens: The Media Museum of Sound and Vision in Hilversum — from inavateonthenet.net

Excerpt:

Re-opened to the public last month after five years of planning and two-and-a-half years of renovations, The Media Museum of Sound and Vision in Hilversum in the Netherlands, is an immersive experience exploring modern media. It’s become a museum that continuously adapts to the actions of its visitors in order to reflect the ever-changing face of media culture.

How we consume media is revealed in five zones in the building: Share, Inform, Sell, Tell and Play. The Media Museum includes more than 50 interactives, with hundreds of hours of AV material and objects from history. The experience uses facial recognition and the user’s own smartphone to make it a personalised museum journey for everyone.

 

A portion of the Media Museum in Hilversum, the Netherlands
Photo from Mike Bink

From DSC:
Wow! There is some serious AV work and creativity in the Media Museum of Sound and Vision!

 
 

What Is the Secret Sauce for Deeper Learning? — from cultofpedagogy.com by Jennifer Gonzalez

Excerpt:

One place that was a consistent source of deep learning was what Fine and Mehta referred to as “the periphery,” elective classes like art and robotics and extracurriculars like debate and athletics that are outside of what we consider to be the core academic classes. “Nobody talks very much about what’s going on in those spaces,” Fine says, “and yet they were the places where we saw the richest learning happening.” In these spaces, much of what they call the “grammar” of school is different: Students are there by choice, they have opportunities for apprenticeship and leadership, they can specialize in a subdomain of the field, and there’s usually a real product being produced for an authentic audience.

In the book, the authors used a school theater program as an example of this kind of learning at the periphery.


 

Learners need: More voice. More choice. More control. -- this image was created by Daniel Christian

 


 

Canva’s New AI Wonder Tools — from wondertools.substack.com  by Jeremy Caplan
A magic eraser, a branding kit, AI presentations, and more new features

Excerpt:

Canva launched a bunch of new features at a live event viewed by 1.5 million people globally. The Australian company is no longer an upstart. 125 million people use it monthly, including 13 million paid subscribers yielding $1.4 billion in revenue. Canva’s increasingly competing with Adobe to help people create eye-catching visuals. Here are its most useful new tricks.

 

How to use AI to do practical stuff: A new guide — from oneusefulthing.substack.com by Ethan Mollick
People often ask me how to use AI. Here’s an overview with lots of links.

Excerpts:

We live in an era of practical AI, but many people haven’t yet experienced it, or, if they have, they might have wondered what the big deal is. Thus, this guide. It is a modified version of one I put out for my students earlier in the year, but a lot has changed. It is an overview of ways to get AI to do practical things.

I want to try to show you some of why AI is powerful, in ways both exciting and anxiety-producing.

The Six Large Language Models


Also see Ethan’s posting:

Power and Weirdness: How to Use Bing AI
Bing AI is a huge leap over ChatGPT, but you have to learn its quirks


 
 

Artist Spotlight: Minyoung Choi [booooooom.com]

Artist Spotlight: Minyoung Choi — from booooooom.com

Painting of a fish tank with colorful guppies in it

 

Meet Adobe Firefly. Experiment, imagine, and make an infinite range of creations with Firefly, a family of creative generative AI models coming to Adobe products.

Meet Adobe Firefly. — from adobe.com
Experiment, imagine, and make an infinite range of creations with Firefly, a family of creative generative AI models coming to Adobe products.

Generative AI made for creators.
With the beta version of the first Firefly model, you can use everyday language to generate extraordinary new content. Looking forward, Firefly has the potential to do much, much more.


Also relevant/see:

Gen-2 from runway Research -- the next step forward for generative AI

Gen-2: The Next Step Forward for Generative AI — from research.runwayml.com
A multi-modal AI system that can generate novel videos with text, images, or video clips.

Realistically and consistently synthesize new videos. Either by applying the composition and style of an image or text prompt to the structure of a source video (Video to Video). Or, using nothing but words (Text to Video). It’s like filming something new, without filming anything at all.

 

Explore Breakthroughs in AI, Accelerated Computing, and Beyond at NVIDIA's GTC -- keynote was held on March 21 2023

Explore Breakthroughs in AI, Accelerated Computing, and Beyond at GTC — from nvidia.com
The Conference for the Era of AI and the Metaverse

 


Addendums on 3/22/23:

Generative AI for Enterprises — from nvidia.com
Custom-built for a new era of innovation and automation.

Excerpt:

Impacting virtually every industry, generative AI unlocks a new frontier of opportunities—for knowledge and creative workers—to solve today’s most important challenges. NVIDIA is powering generative AI through an impressive suite of cloud services, pre-trained foundation models, as well as cutting-edge frameworks, optimized inference engines, and APIs to bring intelligence to your enterprise applications.

NVIDIA AI Foundations is a set of cloud services that advance enterprise-level generative AI and enable customization across use cases in areas such as text (NVIDIA NeMo™), visual content (NVIDIA Picasso), and biology (NVIDIA BioNeMo™). Unleash the full potential with NeMo, Picasso, and BioNeMo cloud services, powered by NVIDIA DGX™ Cloud—the AI supercomputer.

 
© 2024 | Daniel Christian