Below are some items for those creatives who might be interested in telling stories, designing games, crafting audio-based experiences, composing music, developing new worlds using 3D graphics, and more. 


CREATING THE SOUNDS OF LIGHTFALL — from bungie.net; via Mr. Robert Bender

The sounds of any game can make or break the experience for its players. Many of our favorite adventures come roaring back into our minds when we hear a familiar melody, or maybe it’s a special sound effect that reminds us of our time performing a particularly heroic feat… or the time we just caused some havoc with friends. With Lightfall sending Guardians to explore the new destination of Neomuna, there’s an entire universe hidden away within the sounds—both orchestral and diegetic—for Guardians to uncover and immerse themselves in. We recently assembled some of Destiny’s finest sound designers and composers to dive a little bit deeper into the stunning depths of Neomuna’s auditory experience.

Before diving into the interview with our incredible team, we wanted to make sure you have seen the Lightfall music documentary that went out shortly after the expansion’s release. This short video is a great introduction to how our team worked to create the music of Lightfall and is a must-see for audiophiles and Destiny fans alike.

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Game Dev Diaries: The Hidden World of Audio — from lianaruppert.medium.com by Liana Ruppert, via Mr. Robert Bender

Every game has a story to tell, a journey to take players through that — if done well — can inspire wonderful memories that last a lifetime. Unlike other storytelling mediums, the art of video games is an intricate interweaving of experiences, including psychological cues that are designed to entrance players and make them feel like they’re a part of the story. One way this is achieved is through the art of audio. And no, we aren’t just talking about the many incredible soundtracks out there, we’re talking about the oftentimes overlooked universe of audio design.

What does an audio designer do?
“Number one? We don’t work on music. That’s a thing almost everyone thinks every audio designer does,” jokes Nyte when opening up about beginning her quest into the audio world. “That, or for a game like Destiny, people just assume we only work on weapon sounds and nothing else. Which, [Juan] Uribe does, but a lot of us don’t. There is this entire gamut of other sounds that are in-game that people don’t really notice. Some do, and that’s always cool, but audio is about all sounds coming together for a ‘whole’ audio experience.”


Also relevant/see:

The New Stack of Entertainment, Tensions of the AI Age, & Navigating Cambrian Explosions — from implications.com by Scott Belsky
Let’s explore some fun albeit heretical Hollywood possibilities, face key tensions, and talk about how to stay grounded with customer needs.

On the Transformation of Entertainment
What company will be the Pixar of the AI era? What talent agency will be the CAA of the AI era? How fast can the entertainment industry evolve to natively leverage AI, and what parts will be disrupted by the industry’s own ambivalence? Or are all of these questions myopic…and should we anticipate a wave of entirely new categories of entertainment?

We are starting to see material adoption of AI tools across many industries, including media and entertainment. No doubt, these tools will transform the processes behind generating content. But what entirely new genres of content might emerge? The platform shift to AI-based workflows might give rise to entirely new types of companies that transform entertainment as we know it – from actor representation, Hollywood economics, consumption devices and experiences, to the actual mediums of entertainment themselves. Let’s explore just a few of the more edgy implications:

 

How AI Is Already Transforming the News Business — from politico.com by Jack Shafer
An expert explains the promise and peril of artificial intelligence.

The early vibrations of AI have already been shaking the newsroom. One downside of the new technology surfaced at CNET and Sports Illustrated, where editors let AI run amok with disastrous results. Elsewhere in news media, AI is already writing headlines, managing paywalls to increase subscriptions, performing transcriptions, turning stories in audio feeds, discovering emerging stories, fact checking, copy editing and more.

Felix M. Simon, a doctoral candidate at Oxford, recently published a white paper about AI’s journalistic future that eclipses many early studies. Swinging a bat from a crouch that is neither doomer nor Utopian, Simon heralds both the downsides and promise of AI’s introduction into the newsroom and the publisher’s suite.

Unlike earlier technological revolutions, AI is poised to change the business at every level. It will become — if it already isn’t — the beginning of most story assignments and will become, for some, the new assignment editor. Used effectively, it promises to make news more accurate and timely. Used frivolously, it will spawn an ocean of spam. Wherever the production and distribution of news can be automated or made “smarter,” AI will surely step up. But the future has not yet been written, Simon counsels. AI in the newsroom will be only as bad or good as its developers and users make it.

Also see:

Artificial Intelligence in the News: How AI Retools, Rationalizes, and Reshapes Journalism and the Public Arena — from cjr.org by Felix Simon

TABLE OF CONTENTS



EMO: Emote Portrait Alive – Generating Expressive Portrait Videos with Audio2Video Diffusion Model under Weak Conditions — from humanaigc.github.io Linrui Tian, Qi Wang, Bang Zhang, and Liefeng Bo

We proposed EMO, an expressive audio-driven portrait-video generation framework. Input a single reference image and the vocal audio, e.g. talking and singing, our method can generate vocal avatar videos with expressive facial expressions, and various head poses, meanwhile, we can generate videos with any duration depending on the length of input video.


Adobe previews new cutting-edge generative AI tools for crafting and editing custom audio — from blog.adobe.com by the Adobe Research Team

New experimental work from Adobe Research is set to change how people create and edit custom audio and music. An early-stage generative AI music generation and editing tool, Project Music GenAI Control allows creators to generate music from text prompts, and then have fine-grained control to edit that audio for their precise needs.

“With Project Music GenAI Control, generative AI becomes your co-creator. It helps people craft music for their projects, whether they’re broadcasters, or podcasters, or anyone else who needs audio that’s just the right mood, tone, and length,” says Nicholas Bryan, Senior Research Scientist at Adobe Research and one of the creators of the technologies.


How AI copyright lawsuits could make the whole industry go extinct — from theverge.com by Nilay Patel
The New York Times’ lawsuit against OpenAI is part of a broader, industry-shaking copyright challenge that could define the future of AI.

There’s a lot going on in the world of generative AI, but maybe the biggest is the increasing number of copyright lawsuits being filed against AI companies like OpenAI and Stability AI. So for this episode, we brought on Verge features editor Sarah Jeong, who’s a former lawyer just like me, and we’re going to talk about those cases and the main defense the AI companies are relying on in those copyright cases: an idea called fair use.


FCC officially declares AI-voiced robocalls illegal — from techcrunch.com by Devom Coldewey

The FCC’s war on robocalls has gained a new weapon in its arsenal with the declaration of AI-generated voices as “artificial” and therefore definitely against the law when used in automated calling scams. It may not stop the flood of fake Joe Bidens that will almost certainly trouble our phones this election season, but it won’t hurt, either.

The new rule, contemplated for months and telegraphed last week, isn’t actually a new rule — the FCC can’t just invent them with no due process. Robocalls are just a new term for something largely already prohibited under the Telephone Consumer Protection Act: artificial and pre-recorded messages being sent out willy-nilly to every number in the phone book (something that still existed when they drafted the law).


EIEIO…Chips Ahoy! — from dashmedia.co by Michael Moe, Brent Peus, and Owen Ritz


Here Come the AI Worms — from wired.com by Matt Burgess
Security researchers created an AI worm in a test environment that can automatically spread between generative AI agents—potentially stealing data and sending spam emails along the way.

Now, in a demonstration of the risks of connected, autonomous AI ecosystems, a group of researchers have created one of what they claim are the first generative AI worms—which can spread from one system to another, potentially stealing data or deploying malware in the process. “It basically means that now you have the ability to conduct or to perform a new kind of cyberattack that hasn’t been seen before,” says Ben Nassi, a Cornell Tech researcher behind the research.

 

Adobe previews new cutting-edge generative AI tools for crafting and editing custom audio — from blog.adobe.com by Adobe Research Team

New experimental work from Adobe Research is set to change how people create and edit custom audio and music. An early-stage generative AI music generation and editing tool, Project Music GenAI Control allows creators to generate music from text prompts, and then have fine-grained control to edit that audio for their precise needs.

 

How a Hollywood Director Uses AI to Make Movies — from every.to by Dan Shipper
Dave Clarke shows us the future of AI filmmaking

Dave told me that he couldn’t have made Borrowing Time without AI—it’s an expensive project that traditional Hollywood studios would never bankroll. But after Dave’s short went viral, major production houses approached him to make it a full-length movie. I think this is an excellent example of how AI is changing the art of filmmaking, and I came out of this interview convinced that we are on the brink of a new creative age.

We dive deep into the world of AI tools for image and video generation, discussing how aspiring filmmakers can use them to validate their ideas, and potentially even secure funding if they get traction. Dave walks me through how he has integrated AI into his movie-making process, and as we talk, we make a short film featuring Nicolas Cage using a haunted roulette ball to resurrect his dead movie career, live on the show.

 

Online Teaching Is Improving In-Person Instruction on Campus — from edsurge.com by Robert Ubell (Columnist)

In fact a slew of research over the past two decades has found that teaching online makes professors better teachers in their classrooms, so much so that one 2009 study recommended that “faculty should be trained in distance education methods and technologies and should be encouraged to use those methods back in the classroom.”

It’s a message I’ve been arguing for a while. But now that so many educators and students have had direct experience with online formats, it’s a narrative that seems to be sinking in.

Now is the time to fully embrace how physical classrooms can be improved by online techniques.

When professors teaching face-to-face adopt online pedagogy, the classroom is transformed into a “blended” experience, moving from conventional to active learning. And that helps students turn from passive to engaged participants in their own intellectual excursions.

 

AI fast-tracks research to find battery material that halves lithium use — from inavateonthenet.net

Using AI, the team was able to plow through 32.6 million possible battery materials in 80 hours, a task the team estimates would have taken them 20 years to do.


Other interesting items from inavateonthenet.net:

Medical ‘hologram’ market to reach 6.8 bn by 2029

Providing audio for open spaces

 

Generative AI in a Nutshell – how to survive and thrive in the age of AI — from youtube.com by Henrik Kniberg; via Robert Gibson and Adam Garry on LinkedIn


Lawless superintelligence: Zero evidence that AI can be controlled — from earth.com by Eric Ralls

In the realm of technological advancements, artificial intelligence (AI) stands out as a beacon of immeasurable potential, yet also as a source of existential angst when considering that AI might already be beyond our ability to control.

Dr. Roman V. Yampolskiy, a leading figure in AI safety, shares his insights into this dual-natured beast in his thought-provoking work, “AI: Unexplainable, Unpredictable, Uncontrollable.”

His research underscores a chilling truth: our current understanding and control of AI are woefully inadequate, posing a threat that could either lead to unprecedented prosperity or catastrophic extinction.


From DSC:
This next item is for actors, actresses, and voiceover specialists:

Turn your voice into passive income. — from elevenlabs.io; via Ben’s Bites
Are you a professional voice actor? Sign up and share your voice today to start earning rewards every time it’s used.


 

 

Scammers trick company employee using video call filled with deepfakes of execs, steal $25 million — from techspot.com by Rob Thubron; via AI Valley
The victim was the only real person on the video conference call

The scammers used digitally recreated versions of an international company’s Chief Financial Officer and other employees to order $25 million in money transfers during a video conference call containing just one real person.

The victim, an employee at the Hong Kong branch of an unnamed multinational firm, was duped into taking part in a video conference call in which they were the only real person – the rest of the group were fake representations of real people, writes SCMP.

As we’ve seen in previous incidents where deepfakes were used to recreate someone without their permission, the scammers utilized publicly available video and audio footage to create these digital versions.


Letter from the YouTube CEO: 4 Big bets for 2024 — from blog.youtube by Neal Mohan, CEO, YouTube; via Ben’s Bites

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#1: AI will empower human creativity.

#2: Creators should be recognized as next-generation studios.

#3: YouTube’s next frontier is the living room and subscriptions.

#4: Protecting the creator economy is foundational.

Viewers globally now watch more than 1 billion hours on average of YouTube content on their TVs every day.


Bard becomes Gemini: Try Ultra 1.0 and a new mobile app today — from blog.google by Sissie Hsiao; via Rundown AI
Bard is now known as Gemini, and we’re rolling out a mobile app and Gemini Advanced with Ultra 1.0.

Since we launched Bard last year, people all over the world have used it to collaborate with AI in a completely new way — to prepare for job interviews, debug code, brainstorm new business ideas or, as we announced last week, create captivating images.

Our mission with Bard has always been to give you direct access to our AI models, and Gemini represents our most capable family of models. To reflect this, Bard will now simply be known as Gemini.


A new way to discover places with generative AI in Maps — from blog.google by Miriam Daniel; via AI Valley
Here’s a look at how we’re bringing generative AI to Maps — rolling out this week to select Local Guides in the U.S.

Today, we’re introducing a new way to discover places with generative AI to help you do just that — no matter how specific, niche or broad your needs might be. Simply say what you’re looking for and our large-language models (LLMs) will analyze Maps’ detailed information about more than 250 million places and trusted insights from our community of over 300 million contributors to quickly make suggestions for where to go.

Starting in the U.S., this early access experiment launches this week to select Local Guides, who are some of the most active and passionate members of the Maps community. Their insights and valuable feedback will help us shape this feature so we can bring it to everyone over time.


Google Prepares for a Future Where Search Isn’t King — from wired.com by Lauren Goode
CEO Sundar Pichai tells WIRED that Google’s new, more powerful Gemini chatbot is an experiment in offering users a way to get things done without a search engine. It’s also a direct shot at ChatGPT.


 

 

Video, Images and Sounds – Good Tools #14 — from goodtools.substack.com by Robin Good

Specifically in this issue:

  • Free Image Libraries
  • Image Search Engines
  • Free Illustrations
  • Free Icons
  • Free Stock Video Footage
  • Free Music for Video and Podcasts
 

Survey Results Predict Top Legal Technology Trends for 2024 — from jdsupra.com

In the 2023 Litigation Support Trend Survey, U.S. Legal Support asked lawyers and legal professionals what technology trends they observed in 2023, and how they expect their use of technology to change in 2024.

Now, the results are in—check out the findings below.

Topics included:

  • Use of Artificial Intelligence
  • Prevalence of Remote Depositions
  • Digital Reporting

Speaking of legaltech and/or how emerging technologies are impacting the legal realm, also see:

 

The biggest things that happened in AI this year — from superhuman.ai by Zain Kahn

January:

  • Microsoft raises eyebrows with a huge $10 Billion investment in OpenAI.

February:

  • Meta launches Llama 2, their open-source rival to OpenAI’s models.
  • OpenAI announces ChatGPT Plus, a paid version of their chatbot.
  • Microsoft announces a new AI-powered Bing Search.

March:

  • OpenAI announces the powerful GPT-4 model, still considered to be the gold standard.
  • Midjourney releases V5, which brings AI-powered image generation one step closer to reality.
  • Microsoft launches Copilot for Microsoft 365.
  • Google launches Bard, its rival to ChatGPT.

…and more


AI 2023: A Year in Review — from stefanbauschard.substack.com by Stefan Bauschard
2023 developments in AI and a hint of what they are building toward

Some of the items that Stefan includes in his posting include:

  • ChatGPT and other language models that generate text.
  • Image generators.
  • Video generators.
  • AI models that that can read, hear, and speak.
  • AI models that can see.
  • Improving models.
  • “Multimodal” models.
  • Training on specific content.
  • Reasoning & planning.
  • …and several others

The Dictionary.com Word of the Year is “hallucinate.” — from content.dictionary.com by Nick Norlen and Grant Barrett; via The Rundown AI

hallucinate
[ huhloo-suh-neyt ]

verb
(of artificial intelligence) to produce false information contrary to the intent of the user and present it as if true and factual. Example: When chatbots hallucinate, the result is often not just inaccurate but completely fabricated.


Soon, every employee will be both AI builder and AI consumer — from zdnet.com by Joe McKendrick, via Robert Gibson on LinkedIn
“Standardized tools and platforms as well as advanced low- or no-code tech may enable all employees to become low-level engineers,” suggests a recent report.

The time could be ripe for a blurring of the lines between developers and end-users, a recent report out of Deloitte suggests. It makes more business sense to focus on bringing in citizen developers for ground-level programming, versus seeking superstar software engineers, the report’s authors argue, or — as they put it — “instead of transforming from a 1x to a 10x engineer, employees outside the tech division could be going from zero to one.”

Along these lines, see:

  • TECH TRENDS 2024 — from deloitte.com
    Six emerging technology trends demonstrate that in an age of generative machines, it’s more important than ever for organizations to maintain an integrated business strategy, a solid technology foundation, and a creative workforce.

UK Supreme Court rules AI is not an inventor — from theverge.com by Emilia David

The ruling follows a similar decision denying patent registrations naming AI as creators.

The UK Supreme Court ruled that AI cannot get patents, declaring it cannot be named as an inventor of new products because the law considers only humans or companies to be creators.


The Times Sues OpenAI and Microsoft Over A.I. Use of Copyrighted Work — from nytimes.com by Michael M. Grynbaum and Ryan Mac

The New York Times sued OpenAI and Microsoft for copyright infringement on Wednesday, opening a new front in the increasingly intense legal battle over the unauthorized use of published work to train artificial intelligence technologies.

The suit does not include an exact monetary demand. But it says the defendants should be held responsible for “billions of dollars in statutory and actual damages” related to the “unlawful copying and use of The Times’s uniquely valuable works.” It also calls for the companies to destroy any chatbot models and training data that use copyrighted material from The Times.

On this same topic, also see:


Apple’s iPhone Design Chief Enlisted by Jony Ive, Sam Altman to Work on AI Devices — from bloomberg.com by Mark Gurman (behind paywall)

  • Design executive Tang Tan is set to leave Apple in February
  • Tan will join Ive’s LoveFrom design studio, work on AI project

AI 2023: Chatbots Spark New Tools — from heatherbcooper.substack.com by Jeather Cooper

ChatGPT and Other Chatbots
The arrival of ChatGPT sparked tons of new AI tools and changed the way we thought about using a chatbot in our daily lives.

Chatbots like ChatGPT, Perplexity, Claude, and Bing Chat can help content creators by quickly generating ideas, outlines, drafts, and full pieces of content, allowing creators to produce more high-quality content in less time.

These AI tools boost efficiency and creativity in content production across formats like blog posts, social captions, newsletters, and more.


Microsoft’s next Surface laptops will reportedly be its first true ‘AI PCs’ — from theverge.com by Emma Roth
Next year’s Surface Laptop 6 and Surface Pro 10 will feature Arm and Intel options, according to Windows Central.

Microsoft is getting ready to upgrade its Surface lineup with new AI-enabled features, according to a report from Windows Central. Unnamed sources told the outlet the upcoming Surface Pro 10 and Surface Laptop 6 will come with a next-gen neural processing unit (NPU), along with Intel and Arm-based options.


How one of the world’s oldest newspapers is using AI to reinvent journalism — from theguardian.com by Alexandra Topping
Berrow’s Worcester Journal is one of several papers owned by the UK’s second biggest regional news publisher to hire ‘AI-assisted’ reporters

With the AI-assisted reporter churning out bread and butter content, other reporters in the newsroom are freed up to go to court, meet a councillor for a coffee or attend a village fete, says the Worcester News editor, Stephanie Preece.

“AI can’t be at the scene of a crash, in court, in a council meeting, it can’t visit a grieving family or look somebody in the eye and tell that they’re lying. All it does is free up the reporters to do more of that,” she says. “Instead of shying away from it, or being scared of it, we are saying AI is here to stay – so how can we harness it?”



What to Expect in AI in 2024 — from hai.stanford.edu by
Seven Stanford HAI faculty and fellows predict the biggest stories for next year in artificial intelligence.

Topics include:

  • White Collar Work Shifts
  • Deepfake Proliferation
  • GPUs Shortage
  • More Helpful Agents
  • Hopes for U.S. Regulation
  • Asking Big Questions, Applying New Policies
  • Companies Will Navigate Complicated Regulations

Addendum on 1/2/24:


 

Tips on making professional-looking, engaging videos for online courses — from timeshighereducation.com by Geoff Fortescue
Making videos for online classes doesn’t have to be costly. Here are ways to make them look professional on a budget

During lockdown, we were forced to start producing videos for Moocs remotely. This was quite successful, and we continue to use these techniques whenever a contributor can’t come to the studio. The same principles can be used by anyone who doesn’t have access to a media production team. Here are our tips on producing educational videos on a budget.

 

Prompt engineering — from platform.openai.com

This guide shares strategies and tactics for getting better results from large language models (sometimes referred to as GPT models) like GPT-4. The methods described here can sometimes be deployed in combination for greater effect. We encourage experimentation to find the methods that work best for you.

Some of the examples demonstrated here currently work only with our most capable model, gpt-4. In general, if you find that a model fails at a task and a more capable model is available, it’s often worth trying again with the more capable model.

You can also explore example prompts which showcase what our models are capable of…


Preparedness — from openai.com

The study of frontier AI risks has fallen far short of what is possible and where we need to be. To address this gap and systematize our safety thinking, we are adopting the initial version of our Preparedness Framework. It describes OpenAI’s processes to track, evaluate, forecast, and protect against catastrophic risks posed by increasingly powerful models.


Every Major Tech Development From 2023 — from newsletter.thedailybite.co
The yearly tech round-up, Meta’s smart glasses upgrade, and more…

Here’s every major innovation from the last 365 days:

  • Microsoft: Launched additional OpenAI-powered features, including Copilot for Microsoft Dynamics 365 and Microsoft 365, enhancing business functionalities like text summarization, tone adjustment in emails, data insights, and automatic presentation creation.
  • Google: Introduced Duet, akin to Microsoft’s Copilot, integrating Gen AI across Google Workspace for writing assistance and custom visual creation. Also debuted Generative AI Studio, enabling developers to craft AI apps, and unveiled Gemini & Bard, a new AI technology with impressive features.
  • Salesforce: …
  • Adobe: …
  • Amazon Web Services (AWS): …
  • IBM:  …
  • Nvidia:  …
  • OpenAI:  …
  • Meta (Facebook):
  • Tencent:
  • Baidu:

News in chatbots — from theneurondaily.com by Noah Edelman & Pete Huang

Here’s what’s on the horizon:

  • Multimodal AI gets huge. Instead of just typing, more people will talk to AI, listen to it, create images, get visual feedback, create graphs, and more.
  • AI video gets really good. So far, AI videos have been cool-but-not-practical. They’re getting way better and we’re on the verge of seeing 100% AI-generated films, animations, and cartoons.
  • AI on our phones. Imagine Siri with the brains of ChatGPT-4 and the ambition of Alexa. TBD who pulls this off first!
  • GPT-5. ‘Nuff said.

20 Best AI Chatbots in 2024 — from eweek.com by Aminu Abdullahi
These leading AI chatbots use generative AI to offer a wide menu of functionality, from personalized customer service to improved information retrieval.

Top 20 Generative AI Chatbot Software: Comparison Chart
We compared the key features of the top generative AI chatbot software to help you determine the best option for your company…


What Google Gemini Teaches Us About Trust and The Future — from aiwithallie.beehiiv.com by Allie K. Miller
The AI demo may have been misleading, but it teaches us two huge lessons.

TL;DR (too long, didn’t read)

  1. We’re moving from ‘knowledge’ to ‘action’. 
    AI moving into proactive interventions.
  2. We’re getting more efficient. 
    Assume 2024 brings lower AI OpEx.
  3. It’s multi-modal from here on out. 
    Assume 2024 is multi-modal.
  4. There’s no one model to rule them all.
    Assume 2024 has more multi-model orchestration & delegation.

Stay curious, stay informed,
Allie


Chatbot Power Rankings — from theneurondaily.com by Noah Edelman

Here’s our power rankings of the best chatbots for (non-technical) work:

1: ChatGPT-4Unquestionably the smartest, with the strongest writing, coding, and reasoning abilities.

T1: Gemini Ultra—In theory as powerful as GPT-4. We won’t know for sure until it’s released in 2024.

2: Claude 2Top choice for managing lengthy PDFs (handles ~75,000 words), and rarely hallucinates. Can be somewhat stiff.

3: PerplexityIdeal for real-time information. Upgrading to Pro grants access to both Claude-2 and GPT-4.

T4: PiThe most “human-like” chatbot, though integrating with business data can be challenging.

T4: Bing ChatDelivers GPT-4-esque responses, has internet access, and can generate images. Bad UX and doesn’t support PDFs.

T4: BardNow powered by Gemini Pro, offers internet access and answer verification. Tends to hallucinate more frequently.

and others…


Midjourney + ChatGPT = Amazing AI Art — from theaigirl.substack.com by Diana Dovgopol and the Pycoach
Turn ChatGPT into a powerful Midjourney prompt machine with basic and advanced formulas.


Make music with AI — from aitestkitchen.withgoogle.com re: Music FX


 

 

The 2023 Ocean Photographer of the Year Contest Highlights the Stunning Sights Above and Below the Surface — from thisiscolossal.com

Michael Haluwana, illuminated by the Arctic sun, a polar bear walks across a glacier that is adorned by a waterfall, Arctic


It’s Not Kansas Anymore: It’s Cinematic Thinking — from campustechnology.com by Mary Grush and Gardner Campbell
A Q&A with Gardner Campbell

Blogs are like a screenplay to a mental movie the student has made. It’s a kind of narrative, but in a way that’s more associative, the way film can be.

Grush: What about your recorded online class sessions? Do they present another path to cinematic thinking?

Campbell: Yes! A couple years ago I started describing what I did with online learning as making movies on location. That referred to the way that I really wanted each of our class meetings to be: a kind of experience, not just for students to be here as I’m lecturing, though I may be doing that, but an experience that’s similar to a live television show. Or almost like a live recording session. Of course, we’re making something that is recorded on video, and you can go back and look at it to get the flow of the experience of our time together: the way in which that story exists through time.


 

 

From NPR -- The Student Podcast Challenge

We’re inviting students from around the country to make a podcast and compete for a chance to have their work featured on NPR.

Students in fifth grade through college are eligible to participate, but the rules vary depending on your grade. 

Make your voice heard! Be a part of NPR’s Student Podcast Challenge!

 
© 2024 | Daniel Christian