The 5 college majors students are betting on right now — from linkedin.com by Taylor Border
Below are some items for those creatives who might be interested in telling stories, designing games, crafting audio-based experiences, composing music, developing new worlds using 3D graphics, and more.
CREATING THE SOUNDS OF LIGHTFALL — from bungie.net; via Mr. Robert Bender
The sounds of any game can make or break the experience for its players. Many of our favorite adventures come roaring back into our minds when we hear a familiar melody, or maybe it’s a special sound effect that reminds us of our time performing a particularly heroic feat… or the time we just caused some havoc with friends. With Lightfall sending Guardians to explore the new destination of Neomuna, there’s an entire universe hidden away within the sounds—both orchestral and diegetic—for Guardians to uncover and immerse themselves in. We recently assembled some of Destiny’s finest sound designers and composers to dive a little bit deeper into the stunning depths of Neomuna’s auditory experience.
Before diving into the interview with our incredible team, we wanted to make sure you have seen the Lightfall music documentary that went out shortly after the expansion’s release. This short video is a great introduction to how our team worked to create the music of Lightfall and is a must-see for audiophiles and Destiny fans alike.
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Game Dev Diaries: The Hidden World of Audio — from lianaruppert.medium.com by Liana Ruppert, via Mr. Robert Bender
Every game has a story to tell, a journey to take players through that — if done well — can inspire wonderful memories that last a lifetime. Unlike other storytelling mediums, the art of video games is an intricate interweaving of experiences, including psychological cues that are designed to entrance players and make them feel like they’re a part of the story. One way this is achieved is through the art of audio. And no, we aren’t just talking about the many incredible soundtracks out there, we’re talking about the oftentimes overlooked universe of audio design.
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What does an audio designer do?
“Number one? We don’t work on music. That’s a thing almost everyone thinks every audio designer does,” jokes Nyte when opening up about beginning her quest into the audio world. “That, or for a game like Destiny, people just assume we only work on weapon sounds and nothing else. Which, [Juan] Uribe does, but a lot of us don’t. There is this entire gamut of other sounds that are in-game that people don’t really notice. Some do, and that’s always cool, but audio is about all sounds coming together for a ‘whole’ audio experience.”
Also relevant/see:
The New Stack of Entertainment, Tensions of the AI Age, & Navigating Cambrian Explosions — from implications.com by Scott Belsky
Let’s explore some fun albeit heretical Hollywood possibilities, face key tensions, and talk about how to stay grounded with customer needs.
On the Transformation of Entertainment
What company will be the Pixar of the AI era? What talent agency will be the CAA of the AI era? How fast can the entertainment industry evolve to natively leverage AI, and what parts will be disrupted by the industry’s own ambivalence? Or are all of these questions myopic…and should we anticipate a wave of entirely new categories of entertainment?
We are starting to see material adoption of AI tools across many industries, including media and entertainment. No doubt, these tools will transform the processes behind generating content. But what entirely new genres of content might emerge? The platform shift to AI-based workflows might give rise to entirely new types of companies that transform entertainment as we know it – from actor representation, Hollywood economics, consumption devices and experiences, to the actual mediums of entertainment themselves. Let’s explore just a few of the more edgy implications:
Adobe previews new cutting-edge generative AI tools for crafting and editing custom audio — from blog.adobe.com by Adobe Research Team
New experimental work from Adobe Research is set to change how people create and edit custom audio and music. An early-stage generative AI music generation and editing tool, Project Music GenAI Control allows creators to generate music from text prompts, and then have fine-grained control to edit that audio for their precise needs.
How a Hollywood Director Uses AI to Make Movies — from every.to by Dan Shipper
Dave Clarke shows us the future of AI filmmaking
Dave told me that he couldn’t have made Borrowing Time without AI—it’s an expensive project that traditional Hollywood studios would never bankroll. But after Dave’s short went viral, major production houses approached him to make it a full-length movie. I think this is an excellent example of how AI is changing the art of filmmaking, and I came out of this interview convinced that we are on the brink of a new creative age.
We dive deep into the world of AI tools for image and video generation, discussing how aspiring filmmakers can use them to validate their ideas, and potentially even secure funding if they get traction. Dave walks me through how he has integrated AI into his movie-making process, and as we talk, we make a short film featuring Nicolas Cage using a haunted roulette ball to resurrect his dead movie career, live on the show.
Birmingham Royal Ballet launches VR programme to improve accessibility— from inavateonthenet.net
The Birmingham Royal Ballet (BRB) has announced the launch of its virtual stage, a tech-focused project designed to bring immersive technologies into ballet.
The BRB has received funding from Bloomberg Philanthropies’ Digital Accelerator Programme, allowing the institution to invest in equipment and staff training to allow its team to explore immersive technologies with its partners Canon and RiVR.
The virtual stage project aims to explore ways in which AR, VR, 3D mapping and motion capture can be used to enhance the BRB’s productions and experiences.
A TV show with no ending — from joinsuperhuman.ai by Zain Kahn
ALSO: Turbocharged GPT is here
We’re standing on the cusp of artificially generated content that could theoretically never end. According to futurist Sinéad Bovell, “Generative artificial intelligence also means that say we don’t want a movie or a series to end. It doesn’t have to, you could use AI to continue to generate more episodes and other sequels and have this kind of ongoing storyline.”
If we take this logic further, we could also see hyper-personalized content that’s created just for us. Imagine getting an AI generated album from your favourite artist every week. Or a brand new movie starring actors who are no longer alive, like a new romcom with Marylin Monroe and Frank Sinatra.
While this sounds like a compelling proposition for consumers, it’s mostly bad news for actors, writers, and other professionals working in the media industry. Hollywood studios are already investing heavily in generative AI, and many professionals working in the industry are afraid to lose their jobs.












