Street Artists Take On Monumental Infrastructure in ‘Impossible’ Photos — from thisiscolossal.com by Kate Mothes and Joseph Ford
Also see:
2025 Photo Awards Winner: Jonah Reenders — from booooooom.com by Jonah Reenders
Street Artists Take On Monumental Infrastructure in ‘Impossible’ Photos — from thisiscolossal.com by Kate Mothes and Joseph Ford
Also see:
2025 Photo Awards Winner: Jonah Reenders — from booooooom.com by Jonah Reenders
Dueling Hares and Leaping Toads Top the 2026 British Wildlife Photography Awards — from thisiscolossal.com by Kate Mothes & various photographers
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Spectral Birds Endemic to New Zealand Find New Life in Fiona Pardington’s Portraits — from thisiscolossal.com by Kate Mothes and Fiona Pardington
Rediscover a Rembrandt After More than Six Decades in Hiding — from thisiscolossal.com by Kate Mothese and Rembrandt Harmenszoon van Rijn (Rembrandt)
In 1898, Amsterdam’s Stedelijk Museum staged an exhibition of paintings by renowned Dutch Golden Age artist Rembrandt (1606-1669). Included in this show was a 23-by-19-inch oil painting titled “Vision of Zacharias in the Temple,” which was completed in 1633, relatively early in the artist’s career. Fast-forward to 1960, and the work was deemed to have not actually been made by Rembrandt. Despite that in the past it had been catalogued as part of his oeuvre, that was no longer the case. So, a private collector purchased it in 1961, from which point on, it remained out of sight—until now.
Also from thisiscolossal.com, see:
Scale the Dramatic Verticality of Grundtvigs Kirke in David Altrath’s Dreamy Photos — from thisiscolossal.com by Kate Mothes and David Altrath
See the Best of Nearly Half a Million Entries to the Sony World Photography Awards — from thisiscolossal.com by Kate Mothes & various others
For its 19th edition, the Sony World Photography Awards welcomed over 430,000 submissions for its Open competition from photographers in more than 200 countries and territories around the globe. Ten categories, ranging from portraiture to landscapes to travel, encompass the staggering breadth and beauty of nature and society captured throughout 2025.
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Journey Through Autumn and Winter in Robinsson Cravents’ Hand-Drawn ‘Yosemite’ — from thisiscolossal.com by Grace Ebert

In Alaska, nature sculpted this lone tree into a frozen wave at sunrise ?????
Relentless wind, drifting snow, and rime ice stacked layer by layer until the branches looked like feathers made of frost.
That soft golden glow is the sun catching every icy strand, turning the… pic.twitter.com/mfKbGjU6Ae
— Amazing Nature (@AmazingNature00) December 19, 2025
12 Photographer Portfolios Packed With Ideas and Inspiration — from booooooom.com
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Speaking of photography, also see:
Photographer Spotlight: Pelle Cass — from booooooom.com
Adobe Reinvents its Entire Creative Suite with AI Co-Pilots, Custom Models, and a New Open Platform — from theneuron.ai by Grant Harvey
Adobe just put an AI co-pilot in every one of its apps, letting you chat with Photoshop, train models on your own style, and generate entire videos with a single subscription that now includes top models from Google, Runway, and Pika.
Adobe came to play, y’all.
At Adobe MAX 2025 in Los Angeles, the company dropped an entire creative AI ecosystem that touches every single part of the creative workflow. In our opinion, all these new features aren’t about replacing creators; it’s about empowering them with superpowers they can actually control.
Adobe’s new plan is to put an AI co-pilot in every single app.
Adobe MAX Day 2: The Storyteller Is Still King, But AI Is Their New Superpower — from theneuron.ai by Grant Harvey
Adobe’s Day 2 keynote showcased a suite of AI-powered creative tools designed to accelerate workflows, but the real message from creators like Mark Rober and James Gunn was clear: technology serves the story, not the other way around.
On the second day of its annual MAX conference, Adobe drove home a message that has been echoing through the creative industry for the past year: AI is not a replacement, but a partner. The keynote stage featured a powerful trio of modern storytellers—YouTube creator Brandon Baum, science educator and viral video wizard Mark Rober, and Hollywood director James Gunn—who each offered a unique perspective on a shared theme: technology is a powerful tool, but human instinct, hard work, and the timeless art of storytelling remain paramount.
From DSC:
As Grant mentioned, the demos dealt with ideation, image generation, video generation, audio generation, and editing.
Adobe Max 2025: all the latest creative tools and AI announcements — from theverge.com by Jess Weatherbed
The creative software giant is launching new generative AI tools that make digital voiceovers and custom soundtracks for videos, and adding AI assistants to Express and Photoshop for web that edit entire projects using descriptive prompts. And that’s just the start, because Adobe is planning to eventually bring AI assistants to all of its design apps.
Also see Adobe Delivers New AI Innovations, Assistants and Models Across Creative Cloud to Empower Creative Professionals plus other items from the News section from Adobe
Cosmic Wonders Abound in the ZWO Astronomy Photographer of the Year Contest — from thisiscolossal.com by Kate Mothes and various/incredible photographers
Dennis Lehtonen Documents a Pair of Immense Icebergs Paying a Visit to a Small Greenland Village — from thisiscolossal.com by Dennis Lehtonen and Kate Mothes
The heavens declare the glory of God.https://t.co/Zy5ZYkMiAL
— Daniel S. Christian (@dchristian5) May 20, 2025
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A Stunning Image of the Australian Desert Illuminates the Growing Problem of Satellite Pollution — from thisiscolossal.com by Grace Ebert and Joshua Rozells
Feral Pigeons and a Feisty Fox Take Top Honors in the 2025 British Wildlife Photography Awards — from thisiscolossal.com
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