Include Students with Disabilities in Definitions of Equity A hallmark of 2020 education policy has been a laser like focus on diversity, equity, and inclusion. Rightfully so, however, references to students that have been historically marginalized or disadvantaged too often do not include students with disabilities.
Action:
Ensure all state initiatives, including those led by non-profit organizations, include students with disabilities in definitions of equity.
Musical Mentors Collaborative Announces Requiem-20 The resulting compendium is a tribute to the pandemic world we live in today
Philadelphia, PA — January 19, 2021 — Musical Mentors Collaborative (“MMC”), which provides free private music instruction and instruments to students who would not otherwise have access, presents Requiem-20, a collaborative, multimedia, multi-genre reflection on the ineffable loss of life in 2020 due to the Coronavirus pandemic. Featuring music by young but brilliant early-career composers, this project offered these artists a chance to help culture make meaning in a time of seeming creative impossibility. Produced in cooperation with Musical Mentors Collaborative and performed by MMC’s Teaching Fellows, this project represents a coalescence, a meeting place for creative artists to express and process the difficulties of this time.
“With the looming loss of millions of lives to Coronavirus, 11 composers and 23 artists have come together to form a musical collaborative work called, Requiem-20, a modern day Requiem in response to Covid-19. During this pandemic and with the lack of so many live performances, composers, especially young composers are feeling that their musical voices are not able to be displayed as normal and are looking for ways to stay connected and be relevant to the world right now.
This is their musical reaction to all the loss that is experienced during this time. A requiem not just for the loss of so many lives, but also for the loss of everyday life as we knew it, the loss of so many things that we had, the loss of getting to do things we love and see the people we love, the loss of so many jobs and livelihoods, the loss of so much continues and is expressed here in this montage and continuous melange of 11 short expressions that is interwoven to formulate Requiem-20,” says Says Daniel Matsukawa, principal bassoon of the Philadelphia Orchestra, professor at the Curtis Institute of Music, and the creator of this project.
Given the continuing loss of so many musicians’ jobs and livelihoods, we hope that the feelings and stories conveyed through Requiem-20 give you faith that artistic expression lives on as robustly as ever. We also hope that this project may prompt other musicians to compose and add to the concept, thus creating their own musical tribute in response to the current pandemic-filled world.
“Musical Mentors Collaborative encourages creativity through connection, and employs the ingenuity of economically displaced musicians to create connections in communities with the least access to music’s undisputed benefits. This project furthers our mission of connecting artists and young people with this crucial resource in this troubled time,” said Teddy Poll, Artistic and Educational Director of MMC. “We are excited to share Requiem-20 and for the public.”
Requiem-20, as well as more detailed information about the piece, can be seen/heard here: www.requiem-20.com.
From DSC: For me the Socratic method is still a question mark, in terms of effectiveness. (I suppose it depends on who is yielding the tool and how it’s being utilized/implemented.)
But you have one student — often standing up and/or in the spotlight — who is being drilled on something. That student could be calm and collected, and their cognitive processing could actually get a boost from the adrenaline.
But there are other students who dread being called upon in such a public — sometimes competitive — setting. Their cognitive processing could shut down or become greatly diminished.
Also, the professor is working with one student at a time — hopefully the other students are trying to address each subsequent question, but some students may tune out once they know it’s not their turn in the spotlight.
So I was wondering…could the Socratic method be used with each student at the same time? Could a polling-like tool be used in real-time to guide the discussion?
For example, a professor could start out with a pre-created poll and ask the question of all students. Then they could glance through the responses and even scan for some keywords (using their voice to drive the system and/or using a Ctrl+F / Command+F type of thing).
Then in real-time / on-the-fly,could the professor use their voice to create another poll/question — again for each student to answer — based on one of the responses? Again, each student must answer the follow up question(s).
Are there any vendors out there working on something like this? Or have you tested the effectiveness of something like this?
Vendors: Can you help us create a voice-driven interface to offer the Socratic method to everyone to see if and how it would work? (Like a Mentimeter type of product on steroids…er, rather, using an AI-driven backend.)
Teachers, trainers, pastors, presenters could also benefit from something like this — as it could engage numerous people at once.
At Cisco, our goal is to deliver Webex experiences that are 10X better than in-person interactions and an important part of that is making these experiences inclusive and equal for all. We are making sure everyone is included and part of the conversation, whether working from their dining table or in an office building.
Today, I’m pleased to announce Cisco’s intent to acquire privately-held Slido s.r.o., a technology company that provides a best-in-class audience interaction platform. Slido technology enables higher levels of user engagement — before, during and after meetings and events. The Slido technology will be part of the Cisco Webex platform and enhance Cisco’s ability to offer new levels of inclusive audience engagement across both in-person and virtual experiences.
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Soon, meeting owners will be able to:
Create engaging and dynamic participant experiences with dynamic Q&As and polls using graphic visual representations to express the results clearly.
Get real-time critical insights and understanding before, during and after meetings and events, from all-hands and townhalls to conferences and training sessions.
Obtain inclusive feedback so every voice is heard.
Give presenters the confidence that they are connecting in a meaningful way with their audience.
Websites are back. After years of being sucked into the vortexes of Facebook and Yelp pages, devoting their time to amassing Twitter followers and Instagram likes, creators and businesses alike have seen the benefits of hanging up their own shingle again. Legions of writers are setting up Substack newsletters. Millions of people and businesses are setting up shop for the first time online using Squarespace or WordPress. Wix reported 7.8 million new users in the last quarter alone, and more than 29% revenue growth.
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Substack doesn’t see itself as a newsletter platform, or an email-based product. The company is fundamentally interested in fostering direct relationships between readers and writers, rather than let them be mediated by companies whose interests are not always aligned with either side.
The driving force behind all that growth? Thanks to a pandemic closing stores, keeping people at home and leaving a lot of people without jobs, the only way to move forward is to figure out the internet.
From DSC: Though I really like WordPress — and this blog uses it — look at the stock performance in 2020 for Wix!
Our youngest daughter and I are going to set up a blog for her, as she loves to write. The idea was from her and my wife, but I love it! I think it’s highly motivating to her and she can have a voice…that she can share her writings with others. She’s got quite an imagination — so look out all! 🙂
New York, NY – November 26, 2020 – The Intercept has published a video investigation by filmmaker Emily Cohen Ibañez on the impact of the switch to remote learning –– and the Coronavirus pandemic –– on students in an agro-industrial town (Watsonville, CA) and an affluent Bay Area suburb (Pine Hills, CA).
“Life at Watsonville High was fast-paced, full of a lot of energy, a lot of really amazing students,” said Dr. Sara Roe, an English Learner Coach at Watsonville High. “Watsonville High is 98 percent Latinx, Latino, Latina. We are made up of a higher percentage of first-generation students. Socioeconomically, we’re predominantly a low-income area, so 100 percent of our students receive free and reduced lunch, and most likely, their parents or someone in their family has worked in the fields or is currently working in the fields.”
“If we thought then that kids had social, emotional challenges, their needs weren’t being met in particular ways,” said Dr. Roe, “If we thought there were issues then, I don’t think we could have ever imagined what the implications of going online would uncover for us in terms of issues for students.”
Alisa Belzer, an education professor at Rutgers University, says K-12 teachers can learn from those who teach online in higher education.
“When instructors stay on top of evaluating the work they are asking learners to complete, they can easily determine who is ‘there’ and who’s not. A key ingredient in this process is creating engaging assignments with clear deliverables,” she says. “When instructors give feedback that is specific, clear, and actionable, students know their instructors are very much a part of their learning process. This also encourages ‘attendance.’”
From DSC: I also think the more choice we give students will help with their levels of motivation — their sense of purpose. They will chose what’s relevant, enjoyable to them — what they are curious about and want to learn more about. I’ve witnessed this with our daughter, whose spark for writing has ignited. Her imagination is great, and she loves to write. She is going to start her own blog, which will allow her to practice. It’s highly motivating/exciting to her — to have a voice and to be able to share her work with a wider audience.
I think that if we could give students some more leeway to study what they want to study, we wouldn’t have to worry nearly as much about attendance and lack of learning. Naive? Maybe. But I’ve witnessed the K-12 runaway train that won’t stop for anyone. It travels fast, and it doesn’t stop, no matter if mastery is achieved or not.
I’ve also seen controlling K-12 environments that create gameplayers (our son is one of them).
In these rough times, I hope we don’t throw away the chance to change what’s not working within our K-12 systems. Let not this pain go to waste. My vote is to give students more agency.
From DSC: Many people talk about engagement when they discuss learning, and with good reason. It seems to me that what they are really getting at is the topic of getting and maintaining someone’s *attention.* Attention is the gatekeeper to further learning. I wonder if some of the next generation learning platforms that employ some level of Artificial Intelligence (AI)-enabled features, will look to a learner’s preferences (as stored in their cloud-based learner’s profile) in order to help gain/maintain such attention.
And this also helps explain why allowing more learner agency — i.e., more choice, more control — in pursuing their own interests and passions really helps: A motivated learner is paying closer attention to what’s going on.
From DSC: And along these lines, that’s one of the key reasons I’d like to see more involvement from the Theatre Departments, Computer Science Departments, and from those involved with creative writing across the land — in terms of helping develop content for remote and online-based education. Actors, actresses, set designers, costumer designers, audio/video editors, programmers/software developers, and more who could collaborate on these kinds of ideas.
Last comment on this. I don’t mean that we should present our classes like many advertisements do (i.e., running a thousand images by me within 30 seconds). But changing things up periodically — both visually and audibly — can help regain/reset your students’ attentions.
At first, I wondered whether teaching soft skills online is even possible since, unlike theoretical courses, I assumed that close face-to-face (F2F) interaction is required in order to practice such skills. Eventually, I realized that teaching this course online has, in fact, some advantages, that this teaching format opens up new opportunities, and that this medium can even foster several soft skills that I had not previously considered teaching in the F2F format. This blog demonstrates these advantages by focusing on the use of the breakout rooms option available in Zoom, which I used extensively in the course.
From DSC…by the way, another title for this blog could have been:
WIN-WIN situations all around! The Theatre Departments out there could collaborate with other depts/disciplines to develop highly engaging, digitally-based learning experiences!
The future of drama and the theatre — as well as opera, symphonies, and more — will likely include a significant virtual/digital component to them. While it’s too early to say that theatre needs to completely reinvent itself and move “the stage” completely online, below is an idea that creates a variety of WIN-WIN situations for actors, actresses, stage designers, digital audio/video editors, fine artists, graphic designers, programmers, writers, journalists, web designers, and many others as well — including the relevant faculty members!
A new world of creative, engaging, active learning could open up if those involved with the Theatre Department could work collaboratively with students/faculty members from other disciplines. And in the end, the learning experiences and content developed would be highly engaging — and perhaps even profitable for the institutions themselves!
Though the integration of acting with online-based learning materials is not a new idea, this post encourages a far more significant interdisciplinary collaboration between the Theatre Department and other departments/disciplines.
Consider a “Dealing with Bias in Journalism” type of topic, per a class in the Digital Media and Journalism Major.
Students from the Theatre Department work collaboratively with the students from the most appropriate class(es?) from the Communications Department to write the script, as per the faculty members’ 30,000-foot instructions (not 1000-foot level/detailed instructions)
Writing the script would entail skills involved with research, collaboration, persuasion, creativity, communication, writing, and more
The Theatre students would ultimately act out the script — backed up by those learning about sound design, stage design, lighting design, costume design, etc.
Example scene: A woman is sitting around the kitchen table, eating breakfast and reading a posting — aloud — from a website that includes some serious bias in it that offends the reader. She threatens to cancel her subscription, contact the editor, and more. She calls out to her partner why she’s so mad about the article.
Perhaps there could be two or more before/after scenes, given some changes in the way the article was written.
Once the scenes were shot, the digital video editors, programmers, web designers, and more could take that material and work with the faculty members to integrate those materials into an engaging, interactive, branching type of learning experience.
From there, the finished product would be deployed by the relevant faculty members.
Colleges and universities could share content with each other and/or charge others for their products/content/learning experiences. In the future, I could easily see a marketplace for buying and selling such engaging content. This could create a needed new source of revenue — especially given that those large auditoriums and theaters are likely not bringing in as much revenue as they typically do.
Colleges and universities could also try to reach out to local acting groups to get them involved and continue to create feeders into the world of work.
In improv, the only way to “fail” is to overthink and not have fun, which reframed what failure was on a grand scale and made me start looking at academia through the same lens. What I learned about failure through improv comes back to those same two core concepts: have fun and stop overthinking.
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Students are more engaged when the professor is having fun with the materials (Keller, Hoy, Goetz, & Frenzel, 2016), and teaching is more enjoyable when we are having fun ourselves.
From DSC: Who needs to be discussing/debating “The Social Dilemma” movie? Whether one agrees with the perspectives put forth therein or not, the discussion boards out there should be lighting up in the undergraduate areas of Computer Science (especially Programming), Engineering, Business, Economics, Mathematics, Statistics, Philosophy, Religion, Political Science, Sociology, and perhaps other disciplines as well.
To those starting out the relevant careers here…just because we can, doesn’t mean we should. Ask yourself not whether something CAN be developed, but *whether it SHOULD be developed* and what the potential implications of a technology/invention/etc. might be. I’m not aiming to take a position here. Rather, I’m trying to promote some serious reflection for those developing our new, emerging technologies and our new products/services out there.
“Never in my 33 years of teaching did I ever think it would be like this,” the Muskegon High School teacher said of virtual learning, which the district is using this semester to mitigate the spread of the coronavirus.
“It’s a huge learning curve.”
With Michigan K-12 schools back in session for the fall – some virtually, some in-person, and some a mix of both – students aren’t the only ones doing the learning this year. Amid this unprecedented school year, teachers are learning some new things along the way, too.
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3. Virtual learning has exposed the depth of Michigan’s digital divide Systemic gaps in technology access among school districts around the state left thousands of students at a disadvantage this year, despite efforts by educators to fulfill short-term connectivity needs during virtual learning.
From DSC: These are just a couple of reasons that I say that Rome wasn’t built overnight. But it’s great to see that tools are being added to teaching toolboxes and learners’ toolboxes as well:
“It’s easy for them to get onto Zoom now, they can go onto Google Classroom and go into the lesson right along with us,” she said. “I’m surprised at how smooth it’s running now.”
