digital storytelling

Start the School Year by “Awakening Your Dreamers” — from edutopia.org by Suzie Boss

Excerpt (emphasis DSC):

When your students return to the classroom this fall, how many will bring along the interests, talents, and dreams that inspired or delighted them over the summer months? Will they see any connection between school assignments and their own passions?

Bernajean Porter (@bernajeanporter), a longtime advocate of digital storytelling and engaged learning, has a suggestion to get the year off to a good start: “What if your first project was about getting to know the hopes and dreams and talents of your kids?” By investing time to build a positive classroom culture, while also introducing project-based learning practices, you’ll set the stage for more meaningful inquiry experiences all year long.

Imagination Plus Research
Porter has developed and field-tested a classroom resource called, I-imagine: Taking MY Place in the World that guides students on a multimedia journey into their own future. After a series of guided writing and reflection exercises, students eventually produce “vision videos” in which they star as protagonists of the lives they are living, 20 years into the future.

From DSC:
Along these lines of trying to figure out what one’s passions, gifts, and talents are — as well as seeing the needs of the world around us — I recently read a book entitled, “Visions of Vocation: Common Grace for the Common Good.” One of the key questions from that book is:

Knowing what you know about yourself and the world, having read what you’ve read, having seen what you’ve seen, what are you going to do?

Here are some of my notes from that book, in case you know of someone who is trying to ascertain their purpose in this world…someone who is trying to find out more about their calling. It’s a good book, prompting deep reflection.

What might our learning ecosystems look like by 2025? [Christian]

On 07/31/2015, in 21st century, 24x7x365 access, active learning, adult learning, analytics, Apple, Artificial Intelligence/Agents/LLMs/and Related, Augmented Reality (AR), blended learning, business side of he, career development, changing business models, collaboration, colleges, communities of practice, community colleges, competency-based learning/education, content development, aggregation, repositories, corporate / business world, corporate universities / corporate training, cost of getting a degree, Daniel S. Christian, data related items, digital learning, digital storytelling, disruption, distance education, education, education technology, elearning, emerging technologies, engagement / engaging students, expectations, experimentation, formal learning, future, future of higher education, game-changing environment, Google, higher education, homeschooling/homeschoolers, human-computer interaction (HCI), IBM, ideas, informal learning, innovation, intelligent systems, intelligent tutoring, K-12 related, learner profiles, learning, learning agents, learning ecosystem, Learning from the Living [Class] Room, learning hubs & pods & microschooling, liberal arts, lifelong learning, marketplaces, mobile learning, more voice more choice more control, online learning, online media, online tutoring, pace of change, participation, personalized/customized learning, platforms, professional development, reinvent, second screen apps, social learning / networks, staying relevant, streams of content, student-related, surviving, technologies for your home, technology (general), telepresence, television, training / L&D, transmedia, trends, TVs, universities, user experience (UX), using teams, videoconferencing, virtual field trips, virtual K-12 schools, Virtual Reality (VR) / worlds / learning, virtual tutoring, vision/possibilities, web-based collaboration, workplace, by Daniel Christian

This posting can also be seen out at evoLLLution.com (where LLL stands for lifelong learning):

From DSC:
What might our learning ecosystems look like by 2025?

In the future, learning “channels” will offer more choice, more control. They will be far more sophisticated than what we have today.

That said, what the most important aspects of online course design end up being 10 years from now depends upon what types of “channels” I think there will be and what might be offered via those channels. By channels, I mean forms, methods, and avenues of learning that a person could pursue and use. In 2015, some example channels might be:

Attending a community college, a college or a university to obtain a degree
Obtaining informal learning during an internship
Using social media such as Twitter or LinkedIn
Reading blogs, books, periodicals, etc.

In 2025, there will likely be new and powerful channels for learning that will be enabled by innovative forms of communications along with new software, hardware, technologies, and other advancements. For examples, one could easily imagine:

That the trajectory of deep learning and artificial intelligence will continue, opening up new methods of how we might learn in the future
That augmented and virtual reality will allow for mobile learning to the Nth degree
That the trend of Competency Based Education (CBE) and microcredentials may be catapulted into the mainstream via the use of big data-related affordances

Due to time and space limitations, I’ll focus here on the more formal learning channels that will likely be available online in 2025. In that environment, I think we’ll continue to see different needs and demands – thus we’ll still need a menu of options. However, the learning menu of 2025 will be more personalized, powerful, responsive, sophisticated, flexible, granular, modularized, and mobile.

Highly responsive, career-focused track

One part of the menu of options will focus on addressing the demand for more career-focused information and learning that is available online (24×7). Even in 2015, with the U.S. government saying that 40% of today’s workers now have ‘contingent’ jobs and others saying that percentage will continue climbing to 50% or more, people will be forced to learn quickly in order to stay marketable. Also, the 1/2 lives of information may not last very long, especially if we continue on our current trajectory of exponential change (vs. linear change).

However, keeping up with that pace of change is currently proving to be out of reach for most institutions of higher education, especially given the current state of accreditation and governance structures throughout higher education as well as how our current teaching and learning environment is set up (i.e., the use of credit hours, 4 year degrees, etc.). By 2025, accreditation will have been forced to change to allow for alternative forms of learning and for methods of obtaining credentials. Organizations that offer channels with a more vocational bent to them will need to be extremely responsive, as they attempt to offer up-to-date, highly-relevant information that will immediately help people be more employable and marketable. Being nimble will be the name of the game in this arena. Streams of content will be especially important here. There may not be enough time to merit creating formal, sophisticated courses on many career-focused topics.

With streams of content, the key value provided by institutions will be to curate the most relevant, effective, reliable, up-to-date content…so one doesn’t have to drink from the Internet’s firehose of information. Such streams of content will also offer constant potential, game-changing scenarios and will provide a pulse check on a variety of trends that could affect an industry. Social-based learning will be key here, as learners contribute to each other’s learning. Subject Matter Experts (SMEs) will need to be knowledgeable facilitators of learning; but given the pace of change, true experts will be rare indeed.

Microcredentials, nanodegrees, competency-based education, and learning from one’s living room will be standard channels in 2025. Each person may have a web-based learner profile by then and the use of big data will keep that profile up-to-date regarding what any given individual has been learning about and what skills they have mastered.

For example, even currently in 2015, a company called StackUp creates their StackUp Report to add to one’s resume or grades, asserting that their services can give “employers and schools new metrics to evaluate your passion, interests, and intellectual curiosity.” Stackup captures, categorizes, and scores everything you read and study online. So they can track your engagement on a given website, for example, and then score the time spent doing so. This type of information can then provide insights into the time you spend learning.

Project teams and employers could create digital playlists that prospective employees or contractors will have to advance through; and such teams and employers will be watching to see how the learners perform in proving their competencies.

However, not all learning will be in the fast lane and many people won’t want all of their learning to be constantly in the high gears. In fact, the same learner could be pursuing avenues in multiple tracks, traveling through their learning-related journeys at multiple speeds.

The more traditional liberal arts track

To address these varied learning preferences, another part of the menu will focus on channels that don’t need to change as frequently. The focus here won’t be on quickly-moving streams of content, but the course designers in this track can take a bit more time to offer far more sophisticated options and activities that people will enjoy going through.

Along these lines, some areas of the liberal arts* will fit in nicely here.

*Speaking of the liberal arts, a brief but important tangent needs to be addressed, for strategic purposes. While the following statement will likely be highly controversial, I’m going to say it anyway. Online learning could be the very thing that saves the liberal arts.

Why do I say this? Because as the price of higher education continues to increase, the dynamics and expectations of learners continue to change. As the prices continue to increase, so do peoples’ expectations and perspectives. So it may turn out that people are willing to pay a dollar range that ends up being a fraction of today’s prices. But such greatly reduced prices won’t likely be available in face-to-face environments, as offering these types of learning environment is expensive. However, such discounted prices can and could be offered via online-based environments. So, much to the chagrin of many in academia, online learning could be the very thing that provides the type of learning, growth, and some of the experiences that liberal arts programs have been about for centuries. Online learning can offer a lifelong supply of the liberal arts.

But I digress…
By 2025, a Subject Matter Expert (SME) will be able to offer excellent, engaging courses chocked full of the use of:

Engaging story/narrative
Powerful collaboration and communication tools
Sophisticated tracking and reporting
Personalized learning, tech-enabled scaffolding, and digital learning playlists
Game elements or even, in some cases, multiplayer games
Highly interactive digital videos with built-in learning activities
Transmedia-based outlets and channels
Mobile-based learning using AR, VR, real-world assignments, objects, and events
…and more.

However, such courses won’t be able to be created by one person. Their sophistication will require a team of specialists – and likely a list of vendors, algorithms, and/or open source-based tools – to design and deliver this type of learning track.

Final reflections

The marketplaces involving education-related content and technologies will likely look different. There could be marketplaces for algorithms as well as for very granular learning modules. In fact, it could be that modularization will be huge by 2025, allowing digital learning playlists to be built by an SME, a Provost, and/or a Dean (in addition to the aforementioned employer or project team). Any assistance that may be required by a learner will be provided either via technology (likely via an Artificial Intelligence (AI)-enabled resource) and/or via a SME.

We will likely either have moved away from using Learning Management Systems (LMSs) or those LMSs will allow for access to far larger, integrated learning ecosystems.

Functionality wise, collaboration tools will still be important, but they might be mind-blowing to us living in 2015. For example, holographic-based communications could easily be commonplace by 2025. Where tools like IBM’s Watson, Microsoft’s Cortana, Google’s Deepmind, and Apple’s Siri end up in our future learning ecosystems is hard to tell, but will likely be there. New forms of Human Computer Interaction (HCI) such as Augmented Reality (AR) and Virtual Reality (VR) will likely be mainstream by 2025.

While the exact menu of learning options is unclear, what is clear is that change is here today and will likely be here tomorrow. Those willing to experiment, to adapt, and to change have a far greater likelihood of surviving and thriving in our future learning ecosystems.

“Choose your reality: Virtual, Augmented or Mixed” [A basic primer in 3 future-looking technologies by Eric Johnson]

On 07/27/2015, in attention, Augmented Reality (AR), corporate universities / corporate training, digital learning, digital storytelling, education technology, emerging technologies, engagement / engaging students, higher education, human-computer interaction (HCI), innovation, K-12 related, Mixed Reality (MR), user experience (UX), user interface design, Virtual Reality (VR) / worlds / learning, by Daniel Christian

Choose Your Reality: Virtual, Augmented or Mixed — from recode.net by Eric Johnson; with thanks to Woontack Woo for his posting on this

Excerpts:

[For VR] The key buzzword here is presence, shorthand for technology and content that can trick the brain into believing it is somewhere it’s not.

The key term for AR is utility…AR takes your view of the real world and adds digital information and/or data on top of it.

The key term for mixed reality, or MR, is flexibility…It tries to combine the best aspects of both VR and AR…In theory, mixed reality lets the user see the real world (like AR) while also seeing believable, virtual objects (like VR). And then it anchors those virtual objects to a point in real space, making it possible to treat them as “real,” at least from the perspective of the person who can see the MR experience.

So, to borrow an example from Microsoft’s presentation at the gaming trade show E3, you might be looking at an ordinary table, but see an interactive virtual world from the video game Minecraft sitting on top of it. As you walk around, the virtual landscape holds its position, and when you lean in close, it gets closer in the way a real object would.

See this example.

5 Lessons Learned While Making Lost [Unseld; regards making a VR movie]

On 07/23/2015, in creativity, digital storytelling, media/film, story, storytelling, Virtual Reality (VR) / worlds / learning, by Daniel Christian

5 Lessons Learned While Making Lost — from oculus.com by Saschka Unseld; this post regards making a VR-based movie

Excerpts:

Don’t rush the pacing
Structuring Lost through thinking of it as “moments” and not “actions” helped find the right pace without losing our story structure.
Respect the ritual of “Settling in & Setting the scene”
Let go of forcing the viewer to look somewhere
Be aware of Spatial Story Density
Simplify scope

We eventually redefined the relationship between storyteller, listener, and the story itself. Even though time for the viewer unfolds in a linear fashion, the discovery of the story might not. This realization, of course, had big implications on staging and timing. It also sparked discussion around something we call “Spatial Story Density”.

Technology and The Evolution of Storytelling [Lasseter]

On 07/01/2015, in digital storytelling, leadership, media/film, multimedia, new media literacies, story, storytelling, technology (general), vision/possibilities, by Daniel Christian

Technology and The Evolution of Storytelling — from medium.com by John Lasseter; with a shout out to The Digital Rocking Chair for the Scoop on this

Excerpts:

“People aren’t going to sit still for a feature-length cartoon. Are you nuts?”

But Walt was a visionary.

Walt saw beyond what people were used to. They were used to the short cartoon.

There’s a famous statement by Henry Ford that before the Model T if you asked people what they wanted, they would say, “A faster horse.”

My own partner at Pixar for 25 years, Steve Jobs, never liked market research. Never did market research for anything.

“It’s not the audience’s job to tell us what they want in the future, it’s for us to tell them what they want in the future.” — Steve Jobs

It was because people didn’t understand what the technology ***could*** do. — John Lasseter

I wanted to learn as much as I could.

The more you dig into the technology and the more you learn it, you are going to get ideas you would never have thought of without knowing your technology.

The goal was to make the technology invisible.

7 things you should know about developments in Instructional Design [educause]

On 06/08/2015, in adjunct faculty, colleges, community colleges, digital learning, digital storytelling, digital textbooks, faculty/staff, higher education, instructional design, multimedia, new media literacies, online learning, online media, teaching & learning, universities, using teams, by Daniel Christian

7 things you should know about developments in Instructional Design — from educause.edu

Excerpt:

What is it?

In recent years, instructional design has been undergoing significant changes resulting from developments in areas including pedagogy, learning science, and technology. Whereas instructional design had often been somewhat circumscribed, almost templatized, the complexity of the learning environment is turning instructional design into a more dynamic activity, responding to changing educational models and expectations. The science of learning is showing us how people learn, leading to new educational activities, such as active learning and peer learning. Flipped classrooms, makerspaces, and competency-based learning are changing how instructors work with students, how students work with course content, and how mastery is verified. Mobile computing, cloud computing, and data-rich repositories have altered ideas about where and how learning takes place. Now anyone with a mobile device can photograph a leaf, submit the image to a database for matching, and receive prompt plant identification. In this complex climate, instructional designers face unfamiliar challenges and explore new opportunities.

…

What are the implications for teaching and learning?
Developments in the role of the instructional designer in higher education have the potential to benefit both teachers and learners in important ways. By helping align educational activities with a growing understanding of the conditions, tools, and techniques that enable better learning, instructional designers can help higher education take full advantage of new and emerging models of education. Instructional designers bring a cross-disciplinary approach to their work, showing faculty how learning activities used in particular subject areas might be effective in others. In this way, instructional designers can cultivate a measure of consistency across courses and disciplines in how educational strategies and techniques are incorporated. Designers can also facilitate the creation of inclusive learning environments that offer choices to students with varying strengths and preferences. In these and other ways, instructional designers are becoming an important part of face-to-face as well as online and blended learning environments.

Lance Weiler’s must-read story about the future of storytelling [Smolen]

On 05/21/2015, in collaboration, communications, design, digital storytelling, experimentation, future, higher education, innovation, interactivity, K-12 related, play, story, storytelling, transmedia, using teams, by Daniel Christian

Lance Weiler’s must-read story about the future of storytelling — from kidscreen.com by Wendy Smolen

Excerpt:

As the founder of the Columbia University Digital Storytelling Lab, and its Director of Experiential Learning and Applied Creativity, you’ve convinced some major powers that work and learning begin with a story. What does that mean to those in the industry who make products for kids?

My work at Columbia University explores how story, play and design can be harnessed to create collaborative work and learning environments. A key takeaway from our experiments so far is the value of a diversity of perspectives. We often strive to embrace a designing “with” and “for” methodology. This is a fundamental shift for the entertainment industry but the reality is the audience has evolved into storytellers. They are now their own little media companies able to push-button publish for the world to see.

As creation and consumption blend, story and code continue to collide. At Columbia we are exploring new forms and functions of storytelling. How can stories be used as a discovery method? How can they enable people to connect to the world around them? How can they become a utility that can solve everyday challenges?

Story and Code have different development cycles and require different set of skills. So at Columbia and within my own work I often benefit from assembling a kind of 21st Century Writer’s Room. My core team has expanded to include creative technologists, data researchers and systems designers. What connects the team is a series of stories that we use to ensure that everyone is on the same page and that the core vision and goals are communicated.

…

The Digital Storytelling Lab, therefore, is a place of speculation, of creativity, and of collaboration between students and faculty from across Columbia University. New stories are told here in new and unexpected ways.

Also see:

From DSC:
What applications and implications might this type of setup mean for libraries? For classrooms?

PressPad Lounge: new digital press corner that utilizes iBeacon technology — from talkingnewmedia.com by D.B. Hebbard

Excerpt:

The idea behind PressPad Lounge is that the service allows a business to turn a space into a reading zone, allowing those with mobile devices to access digital publications for free.

Also see:

Excerpt:

With PressPad Lounge, people visiting your venue are able to install the magazine app of their choice, and read every issue for free while remaining PHYSICALLY within your venue.

Whether it’s a hotel lobby, a shopping mall, restaurant or a booth, PressPad Lounge enables a slick marriage of digital publishing with location marketing. People located within the range of the reading zone will be able to read magazines on their mobile devices, for free.

7 powerful reminders to finally adopt HTML5 in corporate eLearning [Leone]

On 04/24/2015, in corporate / business world, corporate universities / corporate training, digital audio, digital learning, digital storytelling, digital textbooks, digital video, elearning, human-computer interaction (HCI), mobile learning, mobile technologies, multimedia, training / L&D, web design and production, workplace, by Daniel Christian

7 powerful reminders to finally adopt HTML5 in corporate eLearning — from elearningindustry.com by Alfredo Leone

Excerpt:

Mobility, ubiquity and portability are key requirements for any type of learning as the market fully embraces to the demand of learners to access knowledge when and where is needed. Learners today expect access to relevant and useful information on various types of mobile devices connected via networks of ever cheaper and faster bandwidth.

This trend toward multi-device and multi-access learning is solidifying day after day, making responsive content design one of the most critical components of any production process for online training material. The premise today is for learning to “follow” the person and not the other way around.

In this dynamic online learning scenario, HTML5 is finally going mainstream as the leading technology to structure and present learning content online. Here are some powerful reasons to adopt HTML5 today even when legacy constrains seem to favor a “wait and see” approach:

———–

Also see:

2015 Business eLearning Trends Infographic — from elearninginfographics.com

Addendum on 4/28/15:

How soon is now for the mobile web? — from visionmobile.com by Matt Asay

Excerpt:

That’s one primary takeaway from VisionMobile’s “How Can HTML5 Compete With Native?” report. As report author Dimitris Michalakos concludes, “The question is no longer *whether* HTML5 can produce quality apps, but *how* easy it is to create quality web apps.” Given that “HTML5 is like driving a car without a dashboard,” the key is to deliver better dashboards, or tools, to make it easier to build great web apps.

A solid variety of tools & apps

On 04/07/2015, in Adobe, Apple, art, Augmented Reality (AR), creativity, digital storytelling, education technology, geography / geology, Microsoft, storytelling, tools, Uncategorized, vendors, Virtual Reality (VR) / worlds / learning, workplace, writing, youth, by Daniel Christian

Augmented Reality can be a reality in your art classroom — from theartofed.com

Excerpt:

Last fall, I attended a technology conference where I went to a session on augmented reality technology (AR) and how it can be used in the classroom. I was blown away by the possibilities of this tech concept and its ability to modify our students’ current reality into a compelling, virtual experience of interactive information.

AR in your Art Classroom
There are dozens of AR apps, programs and resources out there that can help encourage curiosity and inspire critical thinking and intense creativity in your students. Here are a few augmented reality options that you can start infusing into your art curriculum.

Aurasma

ARPhoto#2

Jaunt VR wants to (virtually) change the way we travel — from cntraveler.com
Gaming is just the beginning. The real future of virtual reality lies in hacking the global travel experience.

52 of the best apps for your classroom in 2015 — from list.ly by Terry Heick

Adobe’s Slate is a [new] visual storytelling app for the iPad — from techcrunch.com; also an article at CampusTechnology.com on this app

The top 50 apps for creative minds — from theguardian.com
Our pick of the best tablet and smartphone tools to enable you to make video, music, art and more

[Microsoft’s] Sway is now collaborative—create and edit together with others! — from blogs.office.com by the Sway Team

Excerpt:

When we announced Sway, we knew that people would want to work on standout class projects, eye-catching business reports, engaging vacation recaps, or more, together—it’s the way things are done now, right? But Sway up until now has been a tool for individual authors to create polished content in a new and interactive way to share with their audiences. However, we know you’ve asked for shared editing in Sway in our feedback channels (such as UserVoice), and that Office has delivered real-time editing and collaboration features for years, allowing people to work together to share their collective ideas. On top of that, we can’t tell you how many times that we on the Sway team have said to each other, “I wish I could work on this Sway with you!” So now we’re rolling out co-authoring in Sway!

Microsoft debuts Office Lens, a document-scanning app for iOS and Android — from techcrunch.com by Sarah Perez

Excerpt:

Microsoft [on 4/2/15] launched Office Lens, a mobile document scanner app that works with OneNote, for iOS and Android smartphones. The app, which allows users to snap photos of paper documents, receipts, business cards, menus, whiteboards, sticky notes and more, was first launched a year ago as an application designed only for Windows Phone devices.

5 free (or low cost) tools for Flipped Learning— from Campus Technology’s April/May 2015 edition

Doceri
Explain Everything
Office Mix
Screencast-O-Matic
Verso

AppStudio for ArcGIS — with thanks to Dr. Jason Van Horn (Associate Professor Geology, Geography & Env Studies at Calvin College) for this resource
Your mobile mapping apps, built in a snap

Excerpt:

AppStudio for ArcGIS is a groundbreaking tool in the GIS app revolution. It lets you convert your maps into beautiful, consumer-friendly mobile apps ready for Android, iOS, Windows, Mac OS X, and Linux, and publish them using your own brand to all popular app stores – no developer skills required.

Moodle Mobile 2 is coming: updated look and feel of the application, transition to Ionic Framework — from moodlenews.com

Excerpt:

A few weeks ago Juan Leyva introduced a demo site for Moodlers to check out the 2nd version of Moodle Mobile the ever improving official mobile application for the learning management system. The major changes include a shift to Ionic framework which will greatly enhance the developers’ ability to focus on new features development.

Some of the best storytelling apps for elementary students — from educatorstechnology.com

Excerpt:

The apps below are particularly useful for elementary students but they can also be used with other age groups. Elementary teachers often complain about the paucity of apps that are kids appropriate compared with apps for other age groups. So we thought it would be useful to create a section in this blog devoted entirely to apps specifically curated for elementary teachers. After we have covered math and writing apps, today’s post features some very good iPad storytelling apps to use with young kids. You can use these apps to help kids develop a wide range of basic literacy skills that include: writing, reading and speaking.

5 great writing apps for elementary students — from educatorstechnology.com

Excerpt:

The selection we curated for you today contains some useful iPad apps to use with elementary students to help them with their writing. Some the things your kids will get to learn from these apps include: learning how to write letters, learning phonics and spelling, composing syllables by combining vowels and consonants, and several other basic literacy skills. Some of these apps also include tracking features which allow teachers and parents to keep updated about the progress of their kids.

Addendum on 4/8/15:

An entirely reimagined way to work is here! — from blogs.adobe.com
Excerpt:
[On April 6th] Adobe made available Adobe Document Cloud with all-new Acrobat DC – and, in so doing, offers people and organizations worldwide a better and more efficient way to work.

Addendum on 4/9/15:

Apple releases update to OS X, introduces new Photos app — from talkingnewmedia.com by D.B. Hebbard

Addendums on 4/13:15:

Six ways to make movies on a smartphone — from quib.ly by Laura Celada
Excerpt:

Have you tried using mobile devices to make movies? Film-making is such a great way for your children to express themselves and nurture their creativity and imagination. We’ve selected the most powerful apps and programs that can even the least techy kids become creative moviemakers.
None of these require any special equipment, just a tablet or a smartphone. Children can take videos, edit their work and make professional quality movies on the go. Check out the list below and bring out the Spielberg in them. Maybe next year you and your little thinker might be walking down the red carpet…
.
Nice for Every Device: 15 Tech-Agnostic Tools — from edsurge.com
Posting included tools for:
Student Response Systems
Student Collaboration Activities
English Language Arts/Social Studies
Math/Science
80 Twitter Tools for Almost Everything — from hongkiat.com

Given Meerkat and Periscope, how much longer before subject matter experts are broadcasting directly to mobile devices & Smart TVs?

On 04/02/2015, in 21st century, A/V -- audio/visual, Daniel S. Christian, digital learning, digital storytelling, digital video, future of higher education, game-changing environment, learning ecosystem, Learning from the Living [Class] Room, multimedia, new media literacies, online learning, online media, workplace, by Daniel Christian

From DSC:
Given the introduction of Meerkat and Periscope — i.e., new apps that allow you to broadcast live to your Twitter feed — how much longer will it be before faculty members, teachers, trainers, and other subject matter experts are branding themselves and broadcasting their lectures to peoples’ mobile devices and to their Smart/Connected TVs? (The higher quality broadcasts will likely employ a team-based approach.) Is it really that big of a stretch now? Or is it not a stretch at all?

“The leap from film to VR is even bigger than the leap from radio to film was.”

On 03/27/2015, in change, communications, digital storytelling, drama/theater, ideas, immersion, media/film, story, storytelling, television, user experience (UX), Virtual Reality (VR) / worlds / learning, by Daniel Christian

6 ways Virtual Reality will change filmmaking — from indiewire.com by DJ Roller

Excerpt:

From the Chauvet Cave paintings of 30,000 years ago, to 6K digital cinema today, we’ve always told stories, we just do it differently as media changes. There’s a new leap in storytelling happening now. Virtual Reality (VR) is going to change the way we express ourselves, communicate with each other and experience the world. That may sound like hyperbole. If anything it’s an understatement. There are innumerable ways VR will change filmmaking that we can’t see yet. Here are a few changes that have already arrived:

From seeing to experiencing
The leap from film to VR is even bigger than the leap from radio to film was. There was sound, then sight. With VR, an even more immersive sensation is added: presence. People who try it say, “I was at the Golden Gate Bridge,” not, “I saw the Golden Gate Bridge.” They describe it as if they’re there. And with live VR, it’s an almost indescribable sensation of being there. It’s different from VR that’s recorded. People will regard it as an experience they’ve never had before.

…

The leap from film to VR is even bigger than the leap from radio to film was.

Microsoft’s Productivity Future Vision – some sharp innovations here!

On 02/27/2015, in 21st century, 24x7x365 access, 3D, A/V -- audio/visual, Augmented Reality (AR), business, collaboration, communications, convergence, corporate / business world, corporate universities / corporate training, creativity, digital audio, digital learning, digital photography, digital storytelling, digital textbooks, digital video, distance education, education technology, elearning, emerging technologies, engagement / engaging students, future, human-computer interaction (HCI), ideas, innovation, instructional design, intelligent systems, intelligent tutoring, interaction design, interactivity, interface design, internet, learning ecosystem, Learning from the Living [Class] Room, learning hubs & pods & microschooling, learning spaces, machine-to-machine communications, Microsoft, mobile learning, multimedia, Near Field Communication (NFC), new media literacies, online learning, online media, online tutoring, participation, platforms, presentations, productivity / tips and tricks, programming, second screen apps, smart classrooms, social learning / networks, tablets, technologies for your home, technology (general), telecommunications, telepresence, trends, TVs, ubiquitous learning, user experience (UX), user interface design, using teams, vendors, videoconferencing, vision/possibilities, visualizing information, web-based collaboration, workplace, by Daniel Christian

Example snapshots from
Microsoft’s Productivity Future Vision

Why you now need a team to create and deliver learning [Christian & Grush]

On 02/26/2015, in 21st century, A/V -- audio/visual, active learning, adjunct faculty, adult learning, analytics, animation, attention, blended learning, changing business models, collaboration, colleges, communities of practice, community colleges, computer science, copyright/ownership/NFTs, dangers of the status quo, Daniel S. Christian, data related items, design, digital audio, digital learning, digital storytelling, digital textbooks, digital video, distance education, e-books, education reform, education technology, elearning, emerging technologies, expectations, experimentation, face-to-face, faculty/staff, future of higher education, game-changing environment, graphics, higher education, human-computer interaction (HCI), hybrid learning, ideas, innovation, instructional design, interaction design, interactivity, interface design, internet, learning, learning ecosystem, learning spaces, more voice more choice more control, multimedia, online learning, online media, programming, staying relevant, strategy, student-related, surviving, teaching & learning, traditional / tradition, trends, universities, user experience (UX), user interface design, using teams, web design and production, writing, by Daniel Christian

My thanks to Mary Grush at Campus Technology for her continued work in bringing relevant topics and discussions to light — so that our institutions of higher education will continue delivering on their missions well into the future. By doing so, learners will be able to continue to partake of the benefits of attending such institutions. But in order to do so, we must adapt, be responsive, and be willing to experiment. Towards that end, this Q&A with Mary relays some of my thoughts on the need to move more towards a team-based approach.

When you think about it, we need teams whether we’re talking about online learning, hybrid learning or face-to-face learning. In fact, I just came back from an excellent Next Generation Learning Space Conference and it was never so evident to me that you need a team of specialists to design the Next Generation Learning Space and to design/implement pedagogies that take advantage of the new affordances being offered by active learning environments.

Five Minute Film Festival: Video Boot Camp [Selak]

On 01/19/2015, in A/V -- audio/visual, attention, communications, creativity, digital audio, digital learning, digital storytelling, digital video, education technology, elearning, engagement / engaging students, Google, multimedia, new media literacies, online learning, online media, by Daniel Christian

Five Minute Film Festival: Video Boot Camp — from edutopia.org by Bill Selak

Excerpt:

The rapid adoption of devices in the classroom has fundamentally changed the way we can create video. Every part of the creation process — writing, recording, editing, and distributing — is possible on the devices that can fit in our pocket. Vision is the most dominant of the five senses. Research shows that concepts are better remembered if they are taught visually. This is called the pictorial superiority effect, and it’s why video is such a powerful learning tool.

A video is created three times: when you write it, when you shoot it, and when you edit it. There are several formats that can be used to write a script for the classroom: a Google Doc, a dedicated app (ex: Storyboards), a Google Form, or a production organization document. Whichever format is used, emphasis should be placed on how it will be used in the classroom, and what the goal of the video is. When recording, it is important to incorporate basic rules of composition, such as the rule of thirds, into your video. Being aware of the environment (basic concepts like lighting and room tone) makes it easier to edit.

Curating content is another significant way to incorporate video into your classroom. If you don’t have the time or software to make a fancy video, odds are someone has already made it and shared it on YouTube. This Film Festival is equal parts curation and creation.

From DSC:
This is a nice collection of resources and tips to help you and your students further develop your new media literacy.

Learning Ecosystems

5 Lessons Learned While Making Lost [Unseld; regards making a VR movie]

Technology and The Evolution of Storytelling [Lasseter]

7 things you should know about developments in Instructional Design [educause]

7 powerful reminders to finally adopt HTML5 in corporate eLearning [Leone]

A solid variety of tools & apps

Aurasma

Given Meerkat and Periscope, how much longer before subject matter experts are broadcasting directly to mobile devices & Smart TVs?

“The leap from film to VR is even bigger than the leap from radio to film was.”

Five Minute Film Festival: Video Boot Camp [Selak]

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