Through Gripping Photos, Ryan Newburn Captures the Depths of Iceland’s Ancient Glacial Caves — from thisiscolossal.com by Grace Ebert and Ryan Newburn
A Collaborative Photo Project Imagines a World Where Street Artists Have Free Rein — from thisiscolossal.com by Grace Ebert
Excerpts:
What would artists create if all of the world’s surfaces could become a canvas? Joseph Ford—of Invisible Jumpers fame—responds to this question in a new project called Impossible Street Art. Collaborating with eight artists including Peeta, Levalet, and Victoria Villasana, Ford reimagines the possibilities of public spaces that are otherwise inaccessible due to scale, safety issues, or restrictions.
Three-Dimensional Narratives Spring from Antique Books in Emma Taylor’s Meticulous Paper Sculptures — from thisiscolossal.com by Kate Mothes
Also see:
Barry Underwood Illuminates Human Presence in the Landscape in Geometric Light Sculptures — from thisiscolossal.com by Kate Mothes
A museum without screens: The Media Museum of Sound and Vision in Hilversum — from inavateonthenet.net
Excerpt:
Re-opened to the public last month after five years of planning and two-and-a-half years of renovations, The Media Museum of Sound and Vision in Hilversum in the Netherlands, is an immersive experience exploring modern media. It’s become a museum that continuously adapts to the actions of its visitors in order to reflect the ever-changing face of media culture.
How we consume media is revealed in five zones in the building: Share, Inform, Sell, Tell and Play. The Media Museum includes more than 50 interactives, with hundreds of hours of AV material and objects from history. The experience uses facial recognition and the user’s own smartphone to make it a personalised museum journey for everyone.
Photo from Mike Bink
From DSC:
Wow! There is some serious AV work and creativity in the Media Museum of Sound and Vision!
Artist Spotlight: Minyoung Choi — from booooooom.com
This AR Art App Helps You Paint Giant Murals — from vrscout.com by Kyle Melnick
Here’s another interesting item along the lines of emerging technologies:
AR-Powered Flashcards Offer A Fresh Spin On Learning — from vrscout.com by Kyle Melnick
Excerpt:
Each SmartCard features a special marker that, when scanned with a tablet, unlocks informative virtual content students can interact with using basic hand gestures and buttons. According to its developers, Justin Nappi and Sudiksha Mallick, SmartCards can be especially useful for neurodivergent students, including those with attention-deficit/hyperactivity disorder (ADHD), autism, or dyslexia.
What Can A.I. Art Teach Us About the Real Thing? — from newyorker.com by Adam Gopnik; with thanks to Mrs. Julie Bender for this resource
The range and ease of pictorial invention offered by A.I. image generation are startling.
Excerpts:
The dall-e 2 system, by setting images free from neat, argumentative intentions, reducing them to responses to “prompts,” reminds us that pictures exist in a different world of meaning from prose.
…
And the power of images lies less in their arguments than in their ambiguities. That’s why the images that dall-e 2 makes are far more interesting than the texts that A.I. chatbots make. To be persuasive, a text demands a point; in contrast, looking at pictures, we can be fascinated by atmospheres and uncertainties.
…
One of the things that thinking machines have traditionally done is sharpen our thoughts about our own thinking.
And, so, “A Havanese at six pm on an East Coast beach in the style of a Winslow Homer watercolor”:
Art work by DALL-E 2 / Courtesy OpenAI
It is, as simple appreciation used to say, almost like being there, almost like her being there. Our means in art are mixed, but our motives are nearly always memorial. We want to keep time from passing and our loves alive. The mechanical collision of kinds first startles our eyes and then softens our hearts. It’s the secret system of art.
The 2023 Underwater Photographer of the Year Contest Dives into the Stunning, Heartbreaking Lives of Aquatic Creatures — from thisiscolossal.com by Grace Ebert & Co.